News Ticker

I Carry Your Heart

Georgette Kelly’s new drama is an overly ambitious play that attempts to say so much more than it’s capable of saying.

Share your thoughts in the comment section below.

Dey Young and Dana Scurlock in a scene from Georgette Kelly’s “I Carry Your Heart” (Photo credit: Sehee Kim)

David Kaufman

David Kaufman, Critic

Looking back at it, Georgette Kelly’s I Carry Your Heart is an overly ambitious play that attempts to say so much more than it’s capable of saying. In the first place, it’s about a heart transplant, but then, in the second and third and fourth place, it attempts to make connections between the various characters we meet.

Though it doesn’t take long to anticipate that there are some background connections between the donor, named Debra (Dey Young), and the recipient, Tess (Dana Scurlock), it may take a while before you discover that each and every character is connected to one another in this overly contrived drama.

They include Debra’s daughter Phoebe (Rebi Paganini), Phoebe’s new lover Blake (Nico Piccardo), who is also an intern, Tess’ wife Lydia (Nicole Paloma Sarro), and the lesbian couple’s son Josh (John Anthony Torres).

As directed by Cate Caplin in a somewhat shapeless if literal manner, Young as Debra roams around the stage and hovers behind a curtain like the phantom her character basically is. As both Debra and then Phoebe say, “You can’t leave what tethers you.”

Rebi Paganini and Nico Piccardo in a scene from Georgette Kelly’s “I Carry Your Heart” (Photo credit: Sehee Kim)

Though playwright Kelly strives for poetry at times–in addition to that last quote, consider Josh’s mother calling him a “terminal optimist” and also learning that the play’s title is taken from e. e. cummings–it’s more or less done in by her contrivances. She also conveys too much of the exposition through her biggest contrivance of all: Debra, an author, has left behind a memoir for Phoebe to read, and she reads it aloud to Blake, thereby imparting much of Debra’s story.

With a certain irony, Debra’s memoir ends when Phoebe is born. Yet another contrived connection finds that both Blake and Tess read Debra’s “books” in college.

Though Scurlock and Sarro have their moments, the only member of the cast to breathe real life into his character is Torres, as a probing yet confident Josh.

Set designers Justin Swader & Christopher Swader have not only their hands full but also the smallest stage space at 59E59 Theaters overstuffed to set various scenes, including the hospital room, Blake’s apartment, as well as Phoebe’s and more. If I Carry Your Heart is overly ambitious, it seems to cry out for a much larger theater.

I Carry Your Heart (through April 14, 2019)

Athena Theatre Company

59E59 Theaters, 59 East 59th Street, in Manhattan

For tickets, call 646-892-7999 or visit

Running time: 100 minutes without an intermission

Share your thoughts in the comment section below.

David Kaufman
About David Kaufman (123 Articles)
David Kaufman has been covering the theater in New York since 1981. A former theater critic for the New York Daily News, he was also a long-time contributor to the Nation, Vanity Fair, the Village Voice and the New York Times. He is also the author of the award-winning Ridiculous! The Theatrical Life and Times of Charles Ludlam, the best-selling Doris Day: The Untold Story of the Girl Next Door, and his most recent biography, Some Enchanted Evenings: The Glittering Life and Times of Mary Martin.

Leave a comment

Your email address will not be published.

This site uses Akismet to reduce spam. Learn how your comment data is processed.