One Long Extravaganza
All opinions in Darryl’s blog are his own and may conflict with an official review published on Theaterscene.net.
A native New Yorker, Darryl Reilly graduated from NYU with a BFA in Cinema Studies. For the Broadway League, (formerly The League of American Theatres and Producers) he developed, and for five years conducted their Broadway Open House Tours, which took visitors through The Theatre District and into several Broadway theaters. He contributed to Broadway Musicals Show by Show: Sixth Edition (Applause Books). Since 2013, he has reviewed theater, cabaret, and concerts for Theaterscene.net.
Popular Articles
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I want to be clear. "The Music Man" is such a masterfully written musical that making some changes here and there can’t really ruin it; but changes are not needed in this show and they certainly don’t help. I believe in the old saying: “If it ain’t broke, don’t fix it!” I also believe, as Tommy Tune once told me years ago in discussing a different show, many producers and directors feel a need to tinker with shows, making changes for the sake of making changes, even when the wiser choice would be to simply leave things alone. There’s just that desire to “improve” things, whether or not the changes actually improve anything. [more] -
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Random Articles
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Some plays are simply too complicated for their own good, defying comprehension. This is certainly the case with Madeleine George’s "Hurricane Diane," in which the God Dionysus or Bacchus, famously incorporating both male and female characteristics--he went by many names--returns to earth--as a woman--at the present time, in Monmouth County no less, to haunt a bevy of what can best be summarized as “New Jersey Housewives.” [more] -
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