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Sammy Rivas

Canciones

May 14, 2026

Inside, "Canciones" unfolds less like a play than like an actual family gathering one has somehow wandered into midway through the evening. The house hums with side conversations, overlapping instructions, beer coolers on the patio, guitars in the basement, cousins teasing one another from room to room. Guests are separated organically into shifting clusters and ushered through the home not with theatrical rigidity but with the casual hospitality of relatives making space at a crowded party. Downstairs, primo Ricky, played with irresistible warmth and improvisatory ease by Sammy Rivas, and sister-in-law Jenn, wife to brother Tommy who has a history of not making an appearance at family gatherings, played by the welcoming EJ Zimmerman, invite audience members into a basement jam session lined with wood paneling, family photographs, storage bins, and the cluttered archaeology of real domestic life. He hands out instruments from a basket on the floor, riffs on guitars, jokes about getting high with cousins, and casually points to photographs of the family’s prized mariachi heirloom hanging nearby. Jenn joins on fiddle. The realism is so granular, so socially exact, that one stops observing and simply begins participating. [more]

Antigone in Analysis

March 30, 2026

Yet the production proves curiously reluctant to pursue the implications of its own provocations. The philosophers, rather than evolving into distinct and dynamically opposed sensibilities, settle into the dramatic equivalent of bullet points. Kierkegaard cleaves to divine absolutism; Hegel dismisses women with a glib reductionism; Lacan invokes madness as a universal solvent; Irigaray insists upon feminine multiplicity; Butler reiterates the performativity of gender. These positions are announced, then reiterated, but seldom interrogated or transformed. What might have been a dialectic becomes a recitation. [more]

The Good Soldier Švejk and His Fortunes in the First World War

February 8, 2024

The Czechoslovak-American Marionette Theatre (CAMT) is presenting “an innovative re-interpretation of a classic, combining live performances with puppets” at the resourceful Theater for the New City in the East Village. "The Good Soldier Švejk and His Fortunes in the First World War" is a classic journey into a satirical, picaresque anti-war message first revealed in the novel by Jaroslav Hašek published in several volumes in the early twenties. It is one of the most translated books by a Czech writer.  Hašek served in World War I and his experiences fueled his sardonically funny novel. Švejk was adapted for stage productions soon after by such theater luminaries as Erwin Piscator and Bertolt Brecht.  The new, loose-legged adaptation at TNC is by Vít Hořejš who also directed this production. [more]