Paradise Factory

The Bad Daters

May 2, 2026

Derek Murphy’s "The Bad Daters" arrives Off Broadway from Ireland and the United Kingdom with the unassuming air of a chamber piece and the stealthy force of something far more piercing: a romantic comedy that has the good sense to distrust romance, and the better sense to proceed anyway. Murphy, an Ireland-born New Yorker with an ear for the bruised lyricism of everyday speech, has fashioned from the well-trod terrain of app-based courtship a work of surprising delicacy and cumulative emotional power. Under Colm Summers’ exquisitely modulated direction, and animated by two performances of uncommon acuity from Kate Arrington and Shane McNaughton, the production unfolds with a patience that feels almost radical, allowing its jagged edges to soften—though never quite smooth—into something like grace. [more]

Patience

July 29, 2019

Unfortunately, Daniel’s ambivalence proves to be an impediment to the success of Patience. It would be one thing if he were a strong character, torn about which path he’ll take moving forward. Rather, he seems to be a customarily wishy-washy guy, who avoids making choices (or “decisions”—the play suggests there’s a difference). Other characters accuse him of speaking vaguely and not answering questions directly. He certainly seems not to be socially adept. [more]

Six Years Old

July 18, 2019

"Six Years Old" is a gem of a play, its facets polished by the director Helen Handelman. Every emotional revelation, no matter how subtle is illuminated by the acting of its four-member cast: Julia Weldon as the willful six-year-old Adelaide, just beginning to find her gender identity; Conor William Wright as her precocious four-year-old brother Dewey; Diane Chen as their put-upon, not very professional babysitter Kim; and Meghan E. Jones as their seemingly calm mother Rachel. [more]

False Stars

August 23, 2017

Nora Sørena Casey’s "False Stars," part of this year’s Corkscrew Festival at the Paradise Factory, starts slowly but gradually grows more involving as all the interconnections between the characters slowly reveal themselves. [more]

High School Coven

August 12, 2017

Set in a California, Bay Area high school, there we meet the four students who prattle on in contemporary lingo. Gradually, and without any explanation we learn that they are witches. An episode of Bewitched has more background information. After 30 minutes, a semblance of a plot emerges, a run for class office. Eventually it is revealed that the candidate running was raped over the previous summer at an off campus party where alcohol was consumed by her male opponent. This past event becomes the play’s main focus. [more]

Reprise

May 27, 2017

Amidst Mr. Maierson’s barrage of mechanical set-ups and punch lines, there are a few amusing jokes and insightful observations. Reprise is in the tradition of substantive romantic comedies such as several of the works of Neil Simon and Bernard Slade’s Same Time, Next Year. However, it lacks the polish and depth of those perennials, and is also mired in bathos. [more]

WHO AM I

June 30, 2016

A leggy dark blonde young woman with her hair pulled up, wearing a black skirt, a patterned short gray blouse and high heels walks through the audience and onto the bare black stage. She begins dancing and then is joined by two lovely young female dancers in psychedelic tunics and all three perform Valerie Mae Browne’s beautifully choreographed modern dance accompanied by mellow pulsating electronic music. It’s all something that would not be out of place on a program at The Joyce Theatre. [more]