Terese Wadden

Mannes Opera’s production of "The Silent Serenade" now seems retro with its lilting score, a combination of Johann Strauss II and Jerome Kern who was working in Hollywood during Korngold’s tenure. This may be why the frivolous plot seems like that of a Fred Astaire/Ginger Rogers movie. (Ironically, Korngold’s romantic operas sound Puccini-esque and his orchestral film scores found influenced by Wagner.) While the libretto for the operetta is set in 1820s Naples, its anachronisms like a fashion house with models, tabloid newspapers looking for gossip, and references to Hollywood actresses make the updating to the 1950s (suggested by Teresa Wadden’s beautiful costumes, literally a fashion show in itself) much more believable. Although Korngold was used to huge orchestras both for his operas ("Die Tote Stadt," "Violanta," etc.) and at Warner Brothers, he scored his operetta for ten instruments and Mannes music director Cris Frisco gave it an excellent reading. He may have been hoping that its small scale might make it more attractive to theater impresarios. [more]