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Rebecca Martínez

Canciones

May 14, 2026

Inside, "Canciones" unfolds less like a play than like an actual family gathering one has somehow wandered into midway through the evening. The house hums with side conversations, overlapping instructions, beer coolers on the patio, guitars in the basement, cousins teasing one another from room to room. Guests are separated organically into shifting clusters and ushered through the home not with theatrical rigidity but with the casual hospitality of relatives making space at a crowded party. Downstairs, primo Ricky, played with irresistible warmth and improvisatory ease by Sammy Rivas, and sister-in-law Jenn, wife to brother Tommy who has a history of not making an appearance at family gatherings, played by the welcoming EJ Zimmerman, invite audience members into a basement jam session lined with wood paneling, family photographs, storage bins, and the cluttered archaeology of real domestic life. He hands out instruments from a basket on the floor, riffs on guitars, jokes about getting high with cousins, and casually points to photographs of the family’s prized mariachi heirloom hanging nearby. Jenn joins on fiddle. The realism is so granular, so socially exact, that one stops observing and simply begins participating. [more]

Bite Me

October 11, 2023

Both Garelik and Samuel’s performances as teens are fully formed and not stereotyped; their portrayals as young adults at their ten-year high school reunion are just as authentic. Direction by Rebecca Martínez is terrific, guiding both actors organically through their curiously intimate and emotionally climactic moments, at both stages of their characters’ young lives. Pipes has written an excellent play; she draws the disparate socio-economic and racial lines between Nathan and Melody with a fine pen. The arc and landscape of their friendship and its ultimate struggle is carefully wrought and effective. [more]

Randy’s Dandy Coaster Castle

August 26, 2022

Part of Ramón’s game plan to increase attendance is to create a Randy’s Dandy Coaster Castle mascot.  In a move that changes his life, Arlo is drafted to don a hilarious, smelly rat costume transforming himself into the character Kuddly Kyle.  Suddenly Arlo, the sweet, directionless shlub has found meaning in his life via this subterfuge.  While in the costume, Arlo is the delightfully entertaining Kyle.  Without the costume, he’s just Arlo. This is the most moving part of Coaster, a play that revolves around the emotions and inner lives of these everyday, working class characters, beautifully evoked by Perez and carefully chaperoned by director, Rebecca Martínez to keep it all down to earth and accessible.  The fade-out is particularly moving as the workers have no idea that there is a disaster looming.  Their lives will be changed—for the worse. [more]

Songs About Trains

April 16, 2022

As a piece of theater, "Songs About Trains" is earnest and unique. Lead author (and performer) Beto O’Byrne, along with contributing authors Eugenie Chan, Reginald Edmund, Jay B Muskett and Rebecca Martínez (who also co-directs) have constructed a work that’s not definitely a musical and not quite a play, but more of a performance piece which sews stories together with music, dance and songs. [more]