Rachel Lin

Elliott’s staging is often quite clever, making use of the space in interesting ways. The use of actual letters Lin received adds a degree of authenticity to an already very personal piece, but having audience members come on stage to pick up the letters themselves is a strong choice of direction. It keeps the letters feeling fresh every time – and also provides an opportunity for Lin to change costumes. The projections onscreen (handled by designer Ein Kim) and roving spotlights (lighting designer Yang Yu) evokes images of a game show, making each letter-picking section feel like a miniature intermission – something that breaks up the play quite nicely. [more]