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Yung-Hung Sung

Dirty Books

May 28, 2026

For most of its running time, "Dirty Books"—a slyly seductive immersive production written and directed by Mara Lieberman for Bated Breath Theatre Company—behaves less like a play than like a forbidden object one has discovered hidden in a filing cabinet marked “Moral Decay.” The audience enters a narrow white-walled performance space on West 14th Street that has been transformed into a miniature museum of American censorship: stacks of banned books, clothespinned documents, timelines of obscenity law, View-Masters displaying coyly erotic photographs, typewriters waiting for confessions. Before a word of drama has officially begun, the production has already implicated us in its central question: who gets to decide what stories may be told, what desires may be spoken aloud, and what forms of intimacy are permitted to exist in public? [more]

Beauty Freak

May 2, 2026

What lingers, long after the final moments—which are, indeed, superb—is not a tidy judgment but a series of disquieting questions. Clements refuses the comfort of easy condemnation, even as he lays bare the cost of moral evasion. Riefenstahl emerges neither exonerated nor simplified, but as a figure whose brilliance and blindness are inseparable. The play does not ask us to forgive her; it asks us to understand how such a figure could exist, and, more provocatively, what it means that she did. [more]