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Latinx Playwrights Circle

Canciones

May 14, 2026

Inside, "Canciones" unfolds less like a play than like an actual family gathering one has somehow wandered into midway through the evening. The house hums with side conversations, overlapping instructions, beer coolers on the patio, guitars in the basement, cousins teasing one another from room to room. Guests are separated organically into shifting clusters and ushered through the home not with theatrical rigidity but with the casual hospitality of relatives making space at a crowded party. Downstairs, primo Ricky, played with irresistible warmth and improvisatory ease by Sammy Rivas, and sister-in-law Jenn, wife to brother Tommy who has a history of not making an appearance at family gatherings, played by the welcoming EJ Zimmerman, invite audience members into a basement jam session lined with wood paneling, family photographs, storage bins, and the cluttered archaeology of real domestic life. He hands out instruments from a basket on the floor, riffs on guitars, jokes about getting high with cousins, and casually points to photographs of the family’s prized mariachi heirloom hanging nearby. Jenn joins on fiddle. The realism is so granular, so socially exact, that one stops observing and simply begins participating. [more]

Las Borinqueñas

April 15, 2024

Nelson Diaz-Marcano’s "Las Borinqueñas," the latest play in the Ensemble Studio Theatre/Alfred P. Sloan Foundation’s Science and Technology Project, has a fascinating, little known story to tell: the preliminary trials that led to the creation of the birth control pill which took place in Puerto Rico in the 1950’s up until 1960 when it was approved by the Food and Drug Administration. However, the play has too many characters each with a different story and too many themes that are not fully explored. Another problem for English speakers is that much of the play is in untranslated Spanish, all of the jokes and a good deal of the back and forth between the women. One assumes that this is for authenticity but it makes the play challenging for theatergoers who don’t know Spanish. Director Rebecca Aparicio keeps the play’s events swiftly moving along but does not compensate for the script’s deficiencies or confusing attempt to convey too much information. [more]