A Wonderful World: The Louis Armstrong Musical
Great in entirely predictable ways, especially its rich musical orchestrations and arrangements from jazz genius Branford Marsalis (he's assisted by Tony Award- winner Daryl Waters), "A Wonderful World" wastes its decided advantages by keeping Armstrong at a distance while incongruously tasking him with narrating his own life. An impassive witness to himself, Armstrong is also a bizarrely unreflective one as he meanders from place to place and wife to wife, before finally appearing with his wronged women to sing "What a Wonderful World" as an ethereal eleven o'clock number on Adam Koch and Steven Royal's protean set. To say the least, it's a lackluster concluding statement on the complexities of Armstrong's marriages, as well as his feelings about a world that, despite all of its "trees of green" and "red roses too," caused him so much pain. [more]
