Hanging over this presentation is, as indicated, the film which divides the audience into those who did not see it and must take or leave Bourne’s clever version and those who saw it and compare each of the film’s campy, colorful moments to the dramatically dull Bourne version in which characters seem to fall in love after barely meeting. Characters who are boldly drawn in the film could not be inhabited by Bourne’s young cast, particularly Nicole Kabera as an unstylish Lady Neston who introduces the main character, her niece Vicki Page (a saucy, plush Ashley Shaw) to ballet owner and Diaghilev surrogate, Boris Lermontov. This rich character was played by a much too young Sam Archer whose charisma is totally absent. It’s difficult to stage a story at whose heart is a tragic love triangle when at least one angle had no magnetism and was, in fact, a mass of outrageous eccentricities compared to the seething elegance of Anton Walbrook in the film.
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