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Becca Blackwell

Is This a Room

October 25, 2019

The performances as well as the dialogue are cool and unemotional as you might expect from four professionals used to doing their jobs, until about three quarters of the way through when Winner confesses to having mailed out the document that they have been asking her about after admitting that she had printed it out to read it. From then on for the last 15 minutes, the tension rises as it become obvious that Winner will not be allowed to go home. [more]

Hurricane Diane

March 7, 2019

Some plays are simply too complicated for their own good, defying comprehension. This is certainly the case with Madeleine George’s "Hurricane Diane," in which the God Dionysus or Bacchus, famously incorporating both male and female characteristics--he went by many names--returns to earth--as a woman--at the present time, in Monmouth County no less, to haunt a bevy of what can best be summarized as “New Jersey Housewives.” [more]

Samara

April 19, 2017

The play seems to be in the genre of the classic Western movie though highly poeticized and slow-paced. It resembles the 60’s films of Sergio Leone and Sam Peckinpah but with much less plot and without the scenic vistas. It follows the rules of the old West but creates a mysterious world of its own. Very little is revealed by the characters about themselves, most of whose names are generic (the Supervisor, the Messenger, the Drunk, the Cowboy, the Beast). Much could be read into the events but they remain opaque and obscure as do the characters who reveal little. This is a Samara of the imagination, not a real geographic place. [more]