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A Midsummer Night’s Dream

A Midsummer Night’s Dream (Smoking Mirror Theatre Company)

September 3, 2026

At A.R.T./New York Theatres, Smoking Mirror Theatre Company’s production of Shakespeare’s "A Midsummer Night’s Dream," running through September 13th, offers the kind of theatrical escape that the play itself promises: a passage from the ordinary world into a place where logic loosens its grip, desire becomes unstable, and the boundary between comedy and nightmare grows deliciously thin. Co-directors John Gordon and Ruby Rich gift us a faithful restaging that conveys the fun and magic of Shakespeare’s original text while adding just enough distinctive flourishes to make a familiar work feel freshly discovered. [more]

A Midsummer Night’s Dream (Shakespeare in the Park)

August 5, 2017

Although the physical production has been well-thought-out, the script seems to have no interpretation other than a great deal of slapstick comedy which does not much register. The cast varies greatly in having found the core of their roles. Phylicia Rashad’s Titania is romantic and authoritative, while Richard Poe’s Oberon is wryly arch but ineffectual. Their fairy attendants are played by white haired and balding senior citizens but nothing much is made of this unusual casting. As Puck usually played by a youth or a dancer, Kristine Nielsen’s regular mannerisms are kept to a minimum but she seems much more amused by her mischief than the audience does. [more]

A Midsummer Night’s Dream – Pearl Theatre

September 29, 2015

If you thought Bedlam’s artistic director Eric Tucker had created physical productions for his acclaimed acting troupe in the past, think again. His "A Midsummer Night Dream," seen this summer at the Hudson Valley Shakespeare Festival and now in residence at the Pearl Theatre, gives the actors a workout from beginning to end. Whether all audiences will go along with it – it is tiring for both performers and viewers – is a question, but like watching a world-class circus or ballet troupe, you know at the end of the evening that you have seen an extraordinary imagination at work. Tucker just expects everyone to go the extra mile. This is not a "Midsummer" for people who have never seen the play before, but one for whom the traditional interpretation no longer has anything to offer. [more]