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The Book of Merman

Delightful small scale musical brings the Mormon Missionaries to the door of singer Ethel Merman with witty pastiche score which suits the Merm to a T.

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Kyle Ashe Wilkinson, Carly Sakolove and Chad Burris in a scene from “The Book of Merman” (Photo credit: Russ Rowland)

[avatar user=”Victor Gluck” size=”96″ align=”left” ] Victor Gluck, Editor-in-Chief[/avatar]It was only a matter of time before some clever person came up with the idea: the missionary elders from The Book of Mormon ring the doorbell of Ethel Merman. This new small scale musical comedy, The Book of Merman, with book by Leo Schwartz and DC Cathro is just what you would expect but with top-drawer performances from its cast of three made up of Chad Burris, Carly Sakolove and Kyle Ashe Wilkinson.

The witty score with music and lyrics by Schwartz is a collection of both pastiche songs based on numbers Merman made famous and new ones that fit her style that suggest other famous songs. Directed and choreographed by Joe Langworth in a brisk and breezy fashion, The Book of Merman is a diverting, entertaining show that will be best enjoyed by musical comedy aficionados who know their Merman from their Mary Martin as there are a great many in-jokes.

In homage to the opening of The Book of Mormon, two young missionaries, Elders Shumway and Braithwaite aren’t having a very good day going door to door in order to find people interested in their message. They have doors slammed in their faces, have to deal with a nude homeowner, and are bitten by a dog. When they get to a pink door, a sign says “E.M. Welcome,” which Braithwaite, the more dedicated elder, takes to mean “Every Mormon.” The kind lady takes them for magazine salesmen and invites them in so that she can write them a check.

Kyle Ashe Wilkinson and Chad Burris in a scene from “The Book of Merman” (Photo credit: Russ Rowland)

Seeing the Christmas tree in August, Shumway who always carries Merman’s autobiography with him in his shoulder bag, as well as the name on her check realizes that this is the famous First Lady of the American Musical Stage. The square Braithwaite doesn’t recognize her as he has never heard of Merman before. Apparently, they appear to be in an alternate Hollywood with Bette Davis, Joan Crawford, Elvis Presley, David Cassidy, and Ethel Merman as neighbors on the same block. But didn’t Ethel Merman die in 1984 according to the biographies?

Ethel takes a long time to realize that they are Mormon missionaries even with their praying, but when Braithwaite declares his discontent with their mission, he reveals that what he really wants is to follow in Merman’s footsteps. Eventually both Braithwaite and Ethel have their own epiphanies that you have to be yourself in order to be successful. Shumway and Braithwaite get to sing their version of “Because of You,” while Ethel sings “A Little Bit of Me.”

Carly Sakolove, a plus size woman with a plus sized voice, puts one in mind of Merman without competing with her. Her ebullient personality makes her Ethel a delightfully effervescent and upbeat character. She gets to sing many of Merman’s hits with new witty lyrics: “Most People” and “Crazy” inspired by Gypsy, “Better Than You,” (Annie Get Your Gun), and “You’re the Best (Anything Goes). In a nod to Merman’s notorious Disco Album, the threesome engages in a rap version of Gilbert & Sullivan’s “I am the very model of a modern major general.”

Chad Burris, Carly Sakolove and Kyle Ashe Wilkinson in a scene from “The Book of Merman” (Photo credit: Russ Rowland)

Cast to resemble the originals in The Book of Morman, chubby Chad Burris and blond Kyle Ashe Wilkinson are refreshingly youthful and spirited. Burris has the more colorful role as the closet musical comedy queen, but both turn out to have big, legit voices when they ultimately let loose. They also take a journey of self-discovery in the course of the show.

Josh Iacovelli’s unit set works well for the entire show while Pablo Borges’ several colorful costume changes for Sakolove put us in mind of Merman. The singers are expertly backed by music director and orchestrator Aaron Benham on piano, Kris Rogers on bass and Brandon Ilaw on percussion. The Book of Merman is a light-hearted romp through some of musical comedy’s most famous moments that also has an appealing message that applies to everyone.

The Book of Merman (extended Saturdays and Sundays through April 7, 2019)

St. Luke’s Theatre, 308 W. 46th Street, in Manhattan

For tickets, call 212-239-6200 or visit

Running time: 85 minutes without an intermission

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About Victor Gluck, Editor-in-Chief (996 Articles)
Victor Gluck was a drama critic and arts journalist with Back Stage from 1980 – 2006. He started reviewing for in 2006, where he was also Associate Editor from 2011-2013, and has been Editor-in-Chief since 2014. He is a voting member of The Drama Desk, the Outer Critics Circle, the American Theatre Critics Association, and the Dramatists Guild of America. His plays have been performed at the Quaigh Theatre, Ryan Repertory Company, St. Clements Church, Nuyorican Poets Café and The Gene Frankel Playwrights/Directors Lab.

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