Yuki Kawahisa

The Kick Inside

November 1, 2026

"The Kick Inside," an experimental, surrealist assemblage conceived and directed by Nicolás Noreña with his Brooklyn-based company The Million Underscores, has all the ingredients of an intriguing theatrical experiment. What it too rarely has is the sense that those ingredients have been made into a satisfying whole. Inspired loosely by Kate Bush’s 1978 debut album of the same name, the production is an elaborate exercise in the exquisite-corpse tradition, bringing together thirteen New York playwrights, including the late Richard Foreman, whose presence feels particularly appropriate to a work that seems determined to test just how much eccentricity an audience can absorb before its capacity for wonder gives way to bewilderment. [more]

Suicide Forest

March 6, 2020

This illustrates the biggest problem with "Suicide Forest": it takes on too many issues, jumping from social to sexual to mythological to intimate family subjects. Making the play even more difficult to understand is that it is performed in both Japanese and English. In addition there is some confusing cross-ressing. "Suicide Forest" is alternately funny, disgusting and moving, making it too often a tiring show to sit through despite its wealth of social commentary. The director Aya Ogawa kept the show rolling along but couldn’t make all the parts gel. [more]

Time’s Journey through a Room

May 21, 2018

In the spirit of the loquacious Winnie in Samuel Beckett’s "Happy Days," the animated Yuki Kawahisa beautifully portrays Honoka with sunny depth. Maho Honda as Arisa, the play’s unifying figure, is brilliantly wistful. Veering from low key to emotionally volatile Kensaku Shinohara richly conveys Kazuki’s angst and anguish. This trio’s rapport and chemistry is palpable and is integral to the production’s success. [more]

T.B. Sheets

May 18, 2017

The opening resembles that of Mann’s novel: a horse and buggy deliver a visitor to a tuberculosis sanitarium on a mountain top overlooking a valley, suggesting that the unspecified time is 100 years ago, prior to W.W. I. Immediately, the doctor discovers that the newcomer has T.B. and needs weeks of rest. This One Who Has Come from the City to Heal meets and interacts with the other denizens, including a healer, a mother of a degenerate child, one who is building a space ship, and one who composes sounds and visions, as well as having the ability to see those who have passed away. [more]