The Little Prince
Essentially, Mouron boils the story down to a couple lines about love and beauty, while eliding any sense of the loss, isolation, and dread that the novella also poetically conveys. Her little prince is a man-child incapable of engaging with life's pain rather than Saint-Ex's courageously inquisitive child-man who can't help but look for happiness in sorrow and vice versa. In the absence of this existential heft, the production makes room for co-director Anne Tournié's, admittedly, often charming choreography. A pas de deux between Zalachas and Sulty is particularly lovely, thanks in part to the latter's stunning, and protean, red dress from costume designer Peggy Housset. [more]
