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Robert Pickens

Good Time Charlie

October 19, 2026

Ryan J. Haddad’s deliciously comic but ultimately poignant "Good Time Charlie" having its world premiere at The Public Theater is his first non-monologue play. This time he uses seven actors including himself to play nine relatives in this theatrical autobiography. Ostensibly, a tribute to his gay Uncle Charlie (in actuality his father’s first cousin), it is also Haddad’s own autobiography of his early years (which eventually brought him into theater) and his immediate family. Covering the years 1976 to the present, it is a hilarious catty review of musicals and musical films as well as the more serious social mores of two generations’ attitudes towards homosexuality, that of Charlie’s generation and that of Ryan’s. The theatrical in-jokes will tickle regular theatergoers and some will get the meta theater references to "Fun Home" (whose original cast included the play’s Beth Malone and TV’s "Smash" which also include the participation of Michael Cristofer. [more]

Stereophonic

April 27, 2024

David Adjmi’s "Stereophonic" at the Golden Theatre, a transfer under the auspices of Playwrights Horizons, is a minutely detailed, almost minute-by-minute recreation of a recording session by a rock band, purportedly based on Fleetwood Mac’s creation of its epic album "Rumours" in 1976.  (Adjmi has denied that this was his inspiration, claiming that the show has an amalgam of sources.) [more]

Grey House

June 6, 2023

Eerie and irritating in equal measure, Levi Holloway’s "Grey House" at the Lyceum Theatre dredges up the classic plot device of many horror films:  strangers stumbling into a den of oddballs and suffering the consequences. The couple that does, indeed, invade the eponymous domicile, Max and Henry (Claire Karpen – subbing for Tatiana Maslany - and Paul Sparks, both excellent) actually refer to this conceit and even joke that the results are always bad. Sometimes this premise results in hilarity as in "The Rocky Horror Picture Show" and sometimes, as in "Grey House," it causes unintended hilarity for its obvious stunts (faces at a window, smoke emanating from a scary basement) along with some gruesome imagery, too bloody to describe here; but suffice it to say Henry, whose left leg is injured in a snowstorm-caused car/deer collision, suffers in a ghastly manner.  That the car was driven by his wife doesn’t help matters. [more]