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Paul McCartney

The New York Pops: “007: James Bond Forever”

October 28, 2026

The New York Pops opened its Carnegie Hall season on October 23, 2026, with “007: James Bond Forever.” Music director Steven Reineke conducted, with Lena Hall as guest artist. Drawing on 18 films released between 1962 and 2021, the program celebrated a musical identity strong enough to accommodate orchestral suspense, romantic ballads, soul, and hard rock. Hall and the orchestra were strong throughout. The songs carry powerful associations with their original performers, including Shirley Bassey, Paul McCartney, Tina Turner, and Adele. Hall gave this varied material a consistent vocal presence. Reineke kept the orchestra an equal partner, emphasizing how much of Bond’s character lives in the instrumental writing. [more]

Paul Taylor Dance Company 2022

June 17, 2022

The new work on the program, a world premiere, was “Hope Is the Thing with Feathers” by Michelle Manzanales, choreographed to John Lennon & Paul McCartney, Bob Marley, Harry Woods and several others.  Using ten of the Taylor dancers, Manzanales produced a work that was charming if a tad repetitious.  Santo Loquasto’s pale costumes had an elegantly informal look. The dancers trooped on in a long line performing unison steps, lunges, leans and twists until movements moved sequentially down the line, mostly soft falls to the stage.  In between these unison sections there were jaunty solos and quick duets that segued into group dances.  The pop song soundtrack underlined the work’s informal feel.  Manzanales certainly put the dancers through their paces.  There’s nothing more appealing to an audience than a line of performers dancing their hearts out in unison! Her work shows promise but also is clearly the work of a novice.  What the ballet had to do with the Emily Dickinson poem it came from wasn’t clear. [more]

Lennon: Through a Glass Onion

November 3, 2014

Clad in black jeans, black leather jacket and black T-shirt with a tree design; Mr. Waters' captivating rock star presence recalls that of the mature Terence Stamp and Malcolm MacDowell. However, instead of relying on his own persona, he does his Lennon impersonation to varying results. At times his singing of these familiar songs comes across as strained. [more]