Pacific Overtures

Stephen Sondheim (1930–2021): The Last Giant, Seen From Our Seats

October 27, 2026

Stephen Sondheim, white-bearded and smiling, in a tweed jacket over a blue open-collar shirt

Stephen Sondheim, the composer and lyricist who reshaped the American musical, died on Friday, November 26, 2021, at his home in Roxbury, Connecticut. He was 91. His lawyer, F. Richard Pappas, said that the death was sudden. The day before, he had celebrated Thanksgiving with friends and spent Wednesday at two Broadway performances,“doing what he most loved to do.” No cause was given. The news broke twelve days after the Classic Stage Company opened its Assassins, a production TheaterScene reviewed that month. This is a look back at how our critics heard him, which they did in some 40 posts over two decades. [more]

Pacific Overtures

May 23, 2017

The playing space designed by Doyle is a narrow white runway with a stool at one end and at the other, an archway created by continuing the flooring into the air on which Japanese writing appears as on a banner. The audience sits in stadium-type seating on either side of the playing space. Eschewing pageantry, the production puts the cast in very bland outfits of black, grey, white, blue or beige (costumes by Ann Hould-Ward), adding fabric or robes when absolutely necessary. The lighting by Jane Cox occasionally bathes the stage in either red or blue mood lights. [more]

92 Y’s Lyrics & Lyricists Series: “A Good Thing Going: The Stephen Sondheim and Harold Prince Collaboration”

January 13, 2015

Hearing these Sondheim classic songs well performed and seeing them vibrantly staged was reason enough for this concert to be considered a success. That it also paid tribute to the artistry of Harold Prince with its revelatory documentary presentation made it an even more glorious event. [more]

Pacific Overtures

December 1, 2004

B.D. Wong & Company Photo by Joan Marcus

Weidman's book is especially clever in its anecdotal cohesiveness, and with additional material credited to Hugh Wheeler, will probably be thought of as more vindicated than it was initially. Yet one wonders if the sadness we feel as we watch the Japanese lose their will to resist American determination is actually compounded by the new ending that brings Japan into the modern age and includes an image of the bombing of Hiroshima. [more]