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Marie Glancy O’Shea

Lists of Promise

March 21, 2025

The scene with Adam and Eve establishes the structure for the show, with each of the ensuing vignettes being conducted in a call-and-response format. The second explores a list of rules established during the Victorian Era. In this set, the aerial performers represent a young girl just coming of age and two older, more established women. The aerial characters make the call with the response coming from different members of the Grounded Women, each expanding on the list of comments being made by the aerialists. The set ends with the Contemporary Woman bringing together some of the ideas presented in the call and response, presenting the state of a woman's status in society as the result of the list of rules. [more]

In the Common Hour

April 28, 2024

"In the Common Hour" is a play with text by Marie Glancy O'Shea inspired by the writings of Italian author Italo Calvino of six stories about an other-dimensional place on the edge of reality. A dream world filled with the consequences of people lost in the projections of their being, unsure of what the next moment holds for them. It is a story, or more realistically, a series of episodes, exploring the liminal space created by dreams and hallucinations. The stories bring to mind the speculative and absurdist work by Rod Serling, Ursula Le Guin, and Philip K. Dick, among others. [more]

The Singing Sphere

April 27, 2023

I left with questions about what I had just experienced. It was not a feeling of dismissal but one of consideration for the experience. It was and is not a question of good or bad but whether it works or not as a play. The average theatergoer thinks "Waiting for Godot" or "Endgame" are bad plays because understanding them is not readily accessible. While "The Singing Sphere" is not an easy play to engage with, I think it does work, but it is for a select audience. [more]