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Lesli Margherita

The Wild Party (New York City Center Encores!)

March 23, 2026

In the hands of Michael John LaChiusa (music, lyrics and book) and George C. Wolfe (book), the feral, syncopated verse of Joseph Moncure March’s Prohibition-era poem is not so much adapted as reforged—heated, hammered, and hurled forward as a kind of theatrical locomotive. Their "Wild Party" arrives like a runaway train of jazz, gin, and envy, its momentum at once intoxicating and annihilating. It careens down the rails with a velocity that promises, even as it seduces, an inevitable and exquisitely catastrophic derailment. [more]

Gypsy

January 14, 2025

Audra McDonald in a scene from George C. Wolfe’s production of “Gypsy” at the Majestic [more]

Emojiland: The Musical

January 29, 2020

Smiling Faces, Skull, Princess, Pile of Poo and other notable emojis cavorting around might have made for a peppy contained sophisticated children’s show. The creators of "Emojiland: The Musical" however, have opted for a full-length treatment that sputters out by intermission as not much has happened and then we come back for more anemic hijinks. The meager plot involves a software update, a firewall, a virus, betrayals and some romantic complications all taking place in a smartphone fantasyland. [more]

92Y’s Lyrics & Lyricists Series: “Sondheim: Wordplay”

April 2, 2019

Tony Award-winning choreographer Christopher Gattelli’s direction melded the performers with expert physical placement sprinkled with occasional dance bits that made for lively presentation. The event’s visual verve was amplified by the imaginative projection design by Dan Scully. In addition to illustrative images there were projections of Sondheim’s handwritten and typed lyrics as well as stylized photographic views. These were all continually shown on the auditorium’s back wall, beautifully complementing the performers and the speakers. [more]

Matthew McConaughey vs. The Devil: An American Myth

July 15, 2017

Vamping and slinking around in a bright, red tunic laden with rhinestones and wearing black tights, the vivacious Lesli Margherita steals and salvages the show as Mephistopheles. With the physical allure of the young Gina Gershon and the musical comedy talents of the young Donna Murphy, and her own quirky persona, Ms. Margherita is commanding.  It’s a proverbial case of “I couldn’t take my eyes off her,” and “everything she said and did got a laugh.” [more]