Lena Hall

The New York Pops: “007: James Bond Forever”

October 28, 2026

The New York Pops opened its Carnegie Hall season on October 23, 2026, with “007: James Bond Forever.” Music director Steven Reineke conducted, with Lena Hall as guest artist. Drawing on 18 films released between 1962 and 2021, the program celebrated a musical identity strong enough to accommodate orchestral suspense, romantic ballads, soul, and hard rock. Hall and the orchestra were strong throughout. The songs carry powerful associations with their original performers, including Shirley Bassey, Paul McCartney, Tina Turner, and Adele. Hall gave this varied material a consistent vocal presence. Reineke kept the orchestra an equal partner, emphasizing how much of Bond’s character lives in the instrumental writing. [more]

Bat Out of Hell-The Musical

August 9, 2019

The score is derived from the catalog of songwriter Jim Steinman’s "Bat Out of Hell" album trilogy whose songs were immortalized by Meat Loaf. Mr. Steinman’s accomplishments as a composer and lyricist are monumental. As a librettist he is dreadful. His negligible scenario borrows heavily from "Peter Pan" (a doomed character is actually named Tink), the hoary stilted dialogue is reminiscent of Flash Gordon cliffhangers and it’s all often ill-matched with his iconic songs. Much of it is supposed to be funny. It all makes "Bat Out of Hell-The Musical" a numbing dysfunctional slog. Very often, on-stage actions are projected on to a very large screen opposite them with characters followed around by videographers dressed in black. We get to watch schlock twice simultaneously. [more]

The New York Pops 36th Birthday Gala: “Hat Full Of Stars: The Songs of Cyndi Lauper”

May 2, 2019

"Kinky Boots" ’ uplifting finale "Raise You Up/Just Be" was a euphoric highlight of The New York Pops’ marvelous tribute concert "Hat Full Of Stars: The Songs Of Cyndi Lauper. " The 2013 Tony Award winner for Best Score and Best Musical’s original cast member Stark Sands was joined by Lena Hall, Alex Newell, the Camp Broadway Kids ensemble and the renowned 78-piece orchestra. Earlier, that long-running Broadway show was represented by the limber and magnetic Mr. Sands’ dazzling "The Soul of a Man" and the "Glee" star Mr. Newell’s soulful "Hold Me in Your Heart." [more]

How to Transcend a Happy Marriage

March 30, 2017

Marisa Tomei excels as George, the narrator of "How to Transcend…" --and of her own story. Thanks to Tomei’s vocal and visual expressions, we constantly share in George’s ongoing surprise, as she graduates from naivety to knowledge. In the end, it is George who has the most “transcendent,” and religious, experience. (It is not insignificant that we’re told George is the only Catholic in the group.)“It seems like you have omniscience,” says George, in her closing monologue, “when you can talk to the audience in a play.” And talk to us, she does, in the playwright’s smart, yet snappy language. Consider George also telling us that Jenna, “over time forgave us,” after walking in on her parent’s participating in a sex orgy. And “the trauma of seeing her parents’ aberrant sex lives up close--it became an anecdote in a college application.” Or consider David’s saying: “I’m from everywhere. And nowhere. I moved constantly as a child…. as a result, I don’t really believe in nationality.” [more]

Everybody, Rise! A Celebration of Elaine Stritch

November 18, 2014

Elaine Stritch died at the age of 89, in her hometown of Birmingham, Michigan, on July 17th, 2014, after retiring there a year earlier from New York City. Seventeen of her friends, family, and show business colleagues shared their often-emotional memories of her during this packed two-hour memorial tribute. [more]

Editor’s Notes: 2014 Tonys Wrapup

June 12, 2014

Broadway had its big night when the 68th Annual Tony Awards, presented by The Broadway League and the American Theatre Wing, were given out at Radio City Music Hall hosted by the genial and charming Hugh Jackman for the fourth time. One of several of the evening's surprises was the four minute opening number in which Jackman hopped from the street to the stage to backstage and back on stage again, recreating Bobby Van's iconic number from the 1953 MGM musical, Small Town Girl, which went unidentified in the course of the evening. [more]