Joshua Preston

The Ballet Hispanico wants to be meaningful while at the same time entertaining. It is a difficult course to chart—just look at the Alvin Ailey American Dance Theater—and, so far, the entertainment element seems to have taken charge. There’s nothing wrong with wanting to please an audience, but, let’s face it, others do it better. Mr. Vilaro has kept the technical level of the dancers and the productions at a very high level and shouldn’t be afraid to shock, move and confound his audiences—along with making them happy. [more]