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Jennifer Kim

The Taming of the Shrew

July 19, 2026

What ultimately distinguishes this production is its refusal to flatten Shakespeare into a contemporary thesis. It neither apologizes for the play's misogyny nor sensationalizes it. Instead, Otto trusts that audiences are capable of holding competing truths in their minds simultaneously: that "The Taming of the Shrew" is uproariously funny, dramatically exhilarating, and profoundly unsettling. In embracing the play's ambiguities rather than escaping them, Shakespeare CSE has launched its "Shakespeare Entirely" series with a production that is not only intellectually invigorating but also enormously entertaining—a reminder that the greatest classics endure not because they provide easy answers, but because they continue asking impossibly difficult questions with inexhaustible theatrical delight. [more]

The Amateurs

March 3, 2018

Jordan Harrison’s "The Amateurs" is certainly an ambitious new play acted to the hilt by its cast of six. However, at times it bites off more than it can handle, at other times its anachronisms tear at the fabric of its story, and finally it goes out of its way to draw connections that the audience has already made. The play may need a stronger director than Oliver Butler has proved to be to pull this unwieldy drama into more satisfactory shape. [more]

Gloria

June 27, 2015

His new play "Gloria" goes in another direction, a scathing satire of the media (magazine work, book publishing and television development) as well as the public’s frenzy for the details of high profile news stories. Evan Cabnet who has also piloted new plays by Theresa Rebeck and Christopher Shinn, has cast his crackerjack production with some astute newcomers to local stages (Catherine Combs, Jennifer Kim, and Ryan Spahn) as well as some accomplished New York veterans (Kyle Beltran, Jeanine Serralles, and Micahel Crane) in this always absorbing office drama. The cast is articulate and smooth-tongued as they should be playing people in the media. [more]