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Ivanov

The Real Ivanov (Initiative Productions)

August 30, 2026

Currently to be seen at the Lynn F. Angelson Theater, adaptor/director Laura Strausfeld has renamed her production "The Real Ivanov," a streamlined version which “preserves almost every line and all of the major characters.” This riveting version performed without intermission reduces the three hour play (with breaks between the acts) to a fast 100 minutes in which the audience sits on all four sides of the playing area, putting us in the arena with Chekhov’s characters. Much of this is due to Jiyoun Chang’s scenic design which uses one item in each of the four acts to set the stage for the different scenes allowing for instant transformations: a bench in Act I, a rug in Act II, a desk and chair for Act III, and a red carpet signifying a hallway for the wedding scene in Act IV. As we have gotten used to a great deal of realistic scenery in recent years, it is amazing how unnecessary it appears to be if the actors create the ambiance and the milieu. [more]

Ivanov

March 26, 2026

New American Ensemble may be young, but this production announces a company of rare precision and ambition. Every element—the mulch underfoot, the bar at your shoulder, the dead tree overhead—feels deliberate, considered, necessary. In a theatrical landscape often defined by haste, such care is not merely admirable. This true theatre company in every sense of the word is most welcome and we look forward to productions in their future. [more]

Ivanov (State Theatre of Nations)

June 17, 2018

The chance to see Anton Chekhov’s first produced play, "Ivanov," not only in the original Russian (with English surtitles) but in modern dress proves to be a revelation. Staged by Russia’s State Theatre of Nations and as presented by the Cherry Orchard Festival, this is a rare opportunity to see this usually neglected Chekhov classic, seen in New York in English on only three occasions since it was first written: 1966 on Broadway with Sir John Gielgud, 1998 at Lincoln Center with Kevin Kline, and in 2012 at the Classic Stage Company with Ethan Hawke. Like the recent Australian version of Chekhov’s first written play, "Platonov" (renamed "The Present" in Andrew Upton’s update), Timofey Kulyabin’s production is not only in modern dress but updated to a drama set in our time. [more]