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Dream Up Festival

ON THE TOWN WITH CHIP DEFFAA… AT “THE EDGE MOTEL”

September 25, 2026

"The Edge Motel" is a well-crafted, intricately plotted play. And playwright Tom Rowan certainly has a good feel for dialogue.  (He’s a member of the Ensemble Studio Theatre, whose work I’ve enjoyed quite a bit over the years. And I'd also heard good things from friends about a play that he had in the Dream Up Festival last year, which I was not able to get to; so I was eager to see this new play of his, whether or not I wound up writing about.) This new play has just three characters, and one simple set.  The running time is one hour and 45 minutes, with no intermission.  And "The Edge Motel" held me from beginning to end. A bit of judicious pruning would make this good play even better. (More about that later.)  But it’s been years since I’ve enjoyed so much a play that arrived with almost no advance publicity.  This one really took me by surprise. [more]

About Clarence and Me

September 4, 2016

To call "About Clarence and Me" simply a play is misleading, as the project features an entirely original score by co-writer Scott Hiltzik. A classical musician, Hiltzik’s music is technically striking but carries a modern flare. In additional to their finely tuned performances, both DeMone and Roll impress as musicians as well. Roll proves himself to be quite the accomplished classical pianist, demonstrating mastery of the keys by way of precision and constraint. DeMone, ever his opposite, produces from the piano a sound descendent of a ragtime piano roll, at times accompanied by the veteran singer’s sonorous growl. Directed by Hiltzik’s co-writer Jones, the duo’s intimacy with the material is plain to see in the final product. Full of nuanced moments both thematically and in performance, the writing team’s hands-on approach is responsible for this well-rounded and solid production. [more]