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Carl Clemons-Hopkins

The Balusters

May 4, 2026

Following in the footsteps of Joshua Spector’s "Eureka Day" and Tracy Letts’ "The Minutes," also stories of local community service groups, David Lindsay-Abaire’s hilarious satire "The Balusters" is simply the best new play of the 2025-26 season. Set at a series of meetings of the Vernon Point Neighborhood Association in a landmarked enclave of an East Coast city, the pointed dialogue skewers liberals who really want to maintain the status quo as well as their white privilege. Hypocrisies abound as the nine members discuss local issues that stir up a great deal of heated debate as well as revealing their personal biases, while little change actually gets voted on. Director Kenny Leon’s terrific ensemble cast is led by Tony Award-winner Anika Noni Rose and Emmy Award-winner Richard Thomas, and the play also reunites the author with Marylouise Burke who has created roles in his "Fuddy Meers," "Wonder of the World" and "Kimberly Akimbo." [more]

Lessons in Survival: 1971

June 26, 2022

Originally broadcast on "Soul!," an early PBS program dedicated to showcasing Black arts and politics, Baldwin and Giovanni's one-on-one echoes contemporary concerns while also remaining decidedly of its era. Unearthed by a theater collective and other trapped-at-home artists during the pandemic for an online recreation, it has now been transformed again, this time into a staged adaptation titled "Lessons in Survival: 1971." In truth, "googled" is likely the more appropriate verb for how someone found the Baldwin-and-Giovanni conservation, since it is entirely available on YouTube, where, to be honest, it is best experienced, not least because in that digital form it can be rewound for another listen, which a few of Baldwin and Giovanni's complex, unannotated arguments definitely require. [more]

For the Last Time

June 9, 2015

As a follow-up to their musical based on Fitzgerald’s This Side of Paradise, lyricist/composer Nancy Harrow and writer/director Will Pomerantz have turned their sights on Nathaniel Hawthorne’s 1860 novel, "The Marble Faun." Renamed "For the Last Time," this new jazz musical has changed the setting from Rome in 1860 to New Orleans, circa 1950, and uses an all-Black cast to tell the original story. The show’s glory is its magnificent score, a combination of jazz and blues ballads, wonderfully sung by its cast of seven. The problem is that the show started as a concept album and to some extent hasn’t progressed very far from there: the book by Pomerantz and Harrow remains too thin to deal with the plot’s very deep themes. [more]