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Cady Huffman

Empire

July 16, 2024

In "Empire," Caroline Sherman and Robert Hull attempt to tell a very big story but are unable to bring this unwieldy tale into suitable shape. The time traveling framework is both unnecessary and obtrusive. Both the historic characters and the fictional ones are underwritten and there are too many names to keep straight. While the music is catchy, the lyrics are often too unsophisticated and repetitious to make their mark. The cluttered setting and the busy staging don’t help to tell the story. "Empire" is an ambitious but unsuccessful musical which is defeated by its very form. [more]

92Y Lyrics & Lyricists Series: Jerry Herman: You I Like

February 27, 2020

Music director Andy Einhorn who conceived the show was a genial, informed host.  Having worked as the music supervisor and music director for the most recent revival of "Hello, Dolly!,"  he was at times overcome with emotion as the show, directed by Cady Huffman, revealed all of Herman’s richness and, yes, sophistication.  Listening to and quoting Herman really got to Einhorn whose beautiful arrangements buoyed all the songs. [more]

Broadway Stars Joined Forces To Help Raise $200,000 For Creative Alternatives Of New York (CANY) At The 2016 Annual “Theater & Therapy” Gala

May 19, 2016

Guests were also treated to surprise live performances at the event. Ann Hampton Callaway opened the night’s festivities with a mash up of the songs “People” and “Being Alive” to rousing applause. After Kelli O’ Hara accepted her award she sang “Make Someone Happy” and Cady Huffman and Ann Hampton Callaway performed the duet, “Sunny Side of the Street” to close the event. [more]

92nd Y’s Lyrics & Lyricists Series: “Here’s to The Girls!: Hollywood’s Leading Ladies”

February 9, 2015

Mr. Busch, known as a playwright of campy homages to old movies in which he often plays female roles, was an appropriate and authoritative host. For most of the proceedings, he sat off to the side wearing male attire wryly reading the often affectionate commentary. He chronicled the history of the Hollywood musical, its stars, its songwriters and its studios. This background material described the distinctive cinematic styles of the major studios, and the idiosyncratic moguls who ruled them. The musical movie histories of Warner Brothers, MGM, Universal, Paramount, 20th Century Fox and Columbia were detailed. Well-selected illustrative slides and film clips were projected above the orchestra. [more]