Bobby Conte

Copperfield! The New Musical

October 31, 2026

While many of Charles Dickens’ novels have been adapted successfully for the musical theater (Oliver! And The Mystery of Edwin Drood are two that come to mind), David Copperfield which clocks in at 870 pages in the Signet edition has defied successful musical adaptation until now. Jeffrey Scharf’s skillful and clever "Copperfield! The New Musical" has streamlined the story so well that it works beautifully as a new musical. With director and choreographer Gabriel Barre, Scharf’s musical version solves many of the problems inherent in such an adaptation. As this bildungsroman (story of growing up) deals with David Copperfield’s earliest days to his second marriage at age 35, two actors are used as David, but cleverly they interact reminding us that the child is father to the man. All of the main characters and events are here except for David’s schoolfriend Tommy Traddles who actually isn’t needed in the retelling. [more]

The Who’s Tommy

April 8, 2024

But, as the book's co-writer with Townshend, McAnuff is self-aware enough to recognize that "The Who's Tommy" needs to blow one's mind through sensory overload. That way, thoughts can't interfere with the emotional gloss covering the bizarrely bleak world, replete with both Nazis and Nazi wannabes, the show's "deaf, dumb, and blind" protagonist must endure. Its cheeriest passage is, in fact, the British victory over Germany in World War II, which occurs early on and quickly curdles after Captain Walker (Adam Jacobs), an airman thought killed in action, returns home to London in 1945, to discover that Mrs. Walker (Alison Luff) already has found another fella (Nathan Lucrezio), who her rightful husband promptly murders. [more]

Company

December 18, 2021

This theatrical genius, responsible for the Tony Award winning plays "War Horse," "The Curious Incident of the Dog in the Night-Time" and the most recent revival of "Angels in America," knew that this 1970 musical comedy about a man about to turn 35 and having all his coupled friends trying to marry him off would seem dated in 2018 when she conceived of this version in London, in which the gender of the characters are reversed. With the help of another genius, composer/lyricist Stephen Sondheim who rejiggered his wise and witty lyrics, Elliott has made this old show by bookwriter George Furth seem spanking new as if we had never seen it before even though this is the fourth New York revival. [more]