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Amara Payton McNeil

The Taming of the Shrew

July 19, 2026

What ultimately distinguishes this production is its refusal to flatten Shakespeare into a contemporary thesis. It neither apologizes for the play's misogyny nor sensationalizes it. Instead, Otto trusts that audiences are capable of holding competing truths in their minds simultaneously: that "The Taming of the Shrew" is uproariously funny, dramatically exhilarating, and profoundly unsettling. In embracing the play's ambiguities rather than escaping them, Shakespeare CSE has launched its "Shakespeare Entirely" series with a production that is not only intellectually invigorating but also enormously entertaining—a reminder that the greatest classics endure not because they provide easy answers, but because they continue asking impossibly difficult questions with inexhaustible theatrical delight. [more]

Exiles

March 4, 2025

"Exiles" has a complicated history: it was published before it was produced, and was rejected by theaters in the UK and Ireland, most notably by W.B. Yeats on behalf on the Abbey Theatre in Dublin. It was first produced in Munich and received mostly negative reviews. The play never really got its due until a 1970 production in the United Kingdom directed by Harold Pinter. [more]