Lost in Del Valle
Van Zandt is a cyclone that tears through the intimate confines of SoHo Playhouse’s Huron Club, detonating with the force of lived experience refined into art. What might, in lesser hands, resemble a familiar confessional is here transformed into something far more volatile and exacting: a darkly comic, genre-defying work that refuses containment even as it unfolds within a single body onstage. Van Zandt’s performance achieves the rare feat of appearing both recklessly spontaneous and meticulously controlled. He moves through the evening with a muscular precision, shifting registers and emotional temperatures with such fluency that the boundaries between character, narrator, and witness begin to dissolve. It is acting of a high order—technically exacting, yet fueled by something that feels perilously close to exposure. [more]
