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Roy Chang

Flo

April 16, 2026

The show’s titular character, Flo Weinberg, is a wheelchair-bound Upper West Side resident who decides to make a deal with Satan – in exchange for her soul, she can have fame, wealth, and happiness. The final part, happiness, proves to be a difficult sticking point, and the two bicker over what happiness exactly means and how one achieves it. Toby Armour’s ("Freedom Summer," "Meltdown") script is wickedly clever, full of recurring jokes and fascinating religious themes. There’s an undercurrent of gnosticism to the play’s narrative, one that works impressively well with the show’s tone. "Flo" is a comedy at heart, but one that engages seriously with larger ideas even as it commits to being quite wacky. [more]

Fog and Filthy Air

March 14, 2025

It is essential for the audience to become fully engaged with the story and to care about the characters. When that does not happen, the show falls flat. While Homeyer and McGrath make an effort as Father and Mother, they are saddled with one-dimensional characters whose interactions lack chemistry. Gamble’s character is more developed but lacks a believable emotional connection with the other two. The dialogue touches on emotional issues within the family but does not effectively build dramatic tension with those issues. In the final analysis, the play lacks a compelling emotional hook. [more]

A Healthy House

June 7, 2022

Diriwachter is particularly skilled in writing working class vernacular.  The Father and Tim speak the same language and he catches all the subtleties of decades of ups and downs.  He also is wonderful with the two salesmen, cleverly finding the rhythm of their spiels that build up to the final pitches.  His salespeople are written as clever but not unfeeling so that the audience never totally believes that the Father and son are being betrayed and cheated. [more]