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A Healthy House

A slice of life look at a Staten Island family in the throes of major life changes.

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Robert Arcaro, Brendan J. Mulhern and Andy Spinosi in a scene from Tom Diriwachter’s “A Healthy House” at Theater for the New  City (Photo credit: Jonathan Slaff)

[avatar user=”Joel Benjamin” size=”96″ align=”left”] Joel Benjamin, Critic[/avatar]

The flier for Tom Diriwachter’s A Healthy House contains the blurb, “We interfered with God’s plan.” Clearly the playwright wants us to believe that his perfectly formed domestic slice of life is about more than an elderly Staten Island man wanting to invest in renovating his aging home and the tribulations attendant to that decision.

The blurb places a burden on a finely written play to mean more than it does.  In this case, watching the four characters interact is enough reason to visit A Healthy House.

As the Father (a wonderfully scattered and moving Robert Arcaro) tries to make sense of a Salesman’s (Andy Spinosi, convincingly avoiding smarminess) pitch, his son Tim (earnest, solid Brendan J. Mulhern) kibitzes and worries, filling in some gaps in his Dad’s memory and keeping tabs on the costs.

Robert Arcaro and Brendan J. Mulhern in a scene from Tom Diriwachter’s “A Healthy House” at Theater for the New City (Photo credit: Jonathan Slaff)

The Salesman runs down lists of colors, types of siding and shingles, etcetera, avoiding until the last possible moment mentioning the cost of the renovation.  The Salesman skillfully offers discount after discount until even Tim believes a bargain has been reached.

Skip to four months later as work is about to begin, and the Project Manager (Steve Gamble, amiable, yet strong) delivers some bad news about the house’s soffits, news which threatens to put the kibosh on the entire project.

The Father and Tim are forced to do some soul-searching.  Fond and not so fond memories are bandied about, mostly about Tim’s late Mother. They ponder all the family lore wrapped within the walls of this Staten Island shack.

Steve Gamble, Robert Arcaro and Brendan J. Mulhern in a scene from Tom Diriwachter’s “A Healthy House” at Theater for the New  City (Photo credit: Jonathan Slaff)

Diriwachter is particularly skilled in writing working class vernacular.  The Father and Tim speak the same language and he catches all the subtleties of decades of ups and downs.  He also is wonderful with the two salesmen, cleverly finding the rhythm of their spiels that build up to the final pitches.  His salespeople are written as clever but not unfeeling so that the audience never totally believes that the Father and son are being betrayed and cheated.

As the play rolls along, it’s clear that Diriwachter means to use the word “healthy” in the title ironically.  Certainly this old Staten Island working class structure—comfy, lived-in set by Mark Marcante—has seen better days, but the state of the father-son relationship is complex, argumentative and caring, perhaps bordering on dysfunctional.

Alexander Bartenieff’s lighting sometimes shrewdly borders on the surreal while Roy Chang’s sound design helps make the pain of renovation with its constant banging and clanging all the more real.

Jonathan Weber’s directorial hand is almost invisible, but he clearly understands the characters and the situation.

A Healthy House (through June 19, 2022)

A Prime Stage to Screen Production

Theater for the New City, 155 First Avenue, in Manhattan

For tickets, call 212-254-1109 or visit

Running time: 80 minutes without an intermission

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About Joel Benjamin (561 Articles)
JOEL BENJAMIN was a child performer on Broadway and danced with leading modern dance and ballet companies. Joel has been attending theater, ballet and opera performances ever since childhood, becoming quite opinionated over the years. He was the founder and artistic director of the American Chamber Ballet and subsequently was massage therapist to the stars before becoming a reviewer and memoirist. He is a member of the Outer Critics Circle.

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