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Irving Berlin Ragtime

Irving Berlin and Me (And a Brush with Death Along the Way)

April 5, 2022

In the past 20 years, I’ve produced a total of 34 different albums; 16 of them have dealt with Irving Berlin (1888-1989). The newest album in this ongoing Berlin series, "Chip Deffaa’s Irving Berlin: Love Songs and Such"--featuring such gifted artists as Betty Buckley, Karen Mason, Steve Ross, Anita Gillette, Jon Peterson, Natalie Douglas, Jeff Harnar, Sarah Rice, Bobby Belfry, Keith Anderson, Molly Ryan, and Seth Sikes--was the hardest of all the albums to produce. And, for reasons I’ll address in a bit, it took by far the longest time to produce; life is not always easy. But for me, this is the most satisfying album of the bunch. (And as I type these words, I’m happy to note it’s just been nominated for a MAC Award, which is extra gratifying!) I know I’ve made a worthwhile contribution to Berlin’s recorded legacy. [more]

EDITH O’HARA—A PERSONAL REMEMBRANCE

October 21, 2020

There were few women in positions of authority when she started in theater.  But as she once told me, “If I wanted to do something, I just went ahead and did it.”  She blazed a trail for others to follow.  And she was proud of the fact that many notables had worked at The 13th Street Theatre, at one time or another (often when they were just getting started), including Bette Midler, Barry Manilow, Chazz Palminteri, Amy Stiller, Jamie DeRoy, Christopher Meloni, Armelia McQueen, Charles Ludlam, Austin Pendleton, Barnard Hughes, Richard Dreyfuss, and  many others. For 17 years, the unique, dark monologist Brother Theodore--a Greenwich Village icon, whose wonderfully theatrical late-night rants enthralled fans--made The 13th Street Repertory Company his base.  Her production of Israel Horovitz’s “Line” ran at her theater for some 45 years, becoming the longest-running theatrical production in New York.  She liked to have things happening at her theater, day and night. [more]

ON THE TOWN … with CHIP DEFFAA (Dec. 21, 2015)

December 23, 2015

It did my heart good to see Matanya Solomon dancing all-out after being pretty much sidelined as a "Nutcracker" dancer, due to injury, for the last two years. I greatly admire all good dancers for their dedication and hard work; but to not give up after being hampered for so long is extra admirable.  And he was fun as the Grandfather, making the most of the part (and interacting well with others) in the prologue (staged by Victoria Mazzarelli and Tim Melady). [more]

ON THE TOWN WITH CHIP DEFFAA…. Oct. 31st 2015

October 31, 2015

I’m glad I got to attend the opening night of “The Bandstand”–an intriguing, ambitious, original musical--at Paper Mill Playhouse. Does the show–which some are hoping may eventually go to Broadway--need work? Yes, definitely. Is it worth seeing now? Again, yes, definitely! It’s fresh, bumpy in spots, and occasionally a bit too melodramatic--but it grabbed me from the start, and held my attention throughout. There are some excellent performances. And the energy is great. [more]

ON THE TOWN with Chip Deffaa, March 31st, 2015

April 1, 2015

Of course, not everybody in the arts who has potential will stick with it. There’s a high rate of attrition in the arts. The stresses and strains of pursuing a career will be too much for many people. One must have not just talent, but energy and drive and determination, plus a certain stubborn kind of stick-to-it quality that is simply all-too-rare. And you also have to be a risk-taker, with an instinct for knowing when to move out of your comfort zone and take the chance on something that excites you, even it may appear risky. [more]