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Lisa Helmi Johanson

Country Roads, Quiet Rooms, and Inner Weight: Two Plays in Conversation

September 24, 2025

As TheaterScene.net approaches its 24th anniversary, I’ve been reflecting not only on the shows we cover but also on how they speak to one another across the season. Sometimes two productions, opening within days of each other, unexpectedly illuminate common ground. This past week, seeing "let’s talk about anything else" (reviewed by Victor Gluck) and "The Porch on Windy Hill" (reviewed by Joseph Pisano), I couldn’t help but notice how these seemingly different works echo each other in intriguing ways. [more]

The Porch on Windy Hill

September 19, 2025

There's a palpably tragic tension between Edgar and Mira, which the play's quartet of writers--Sherry Stregack Lutken, Lisa Helmi Johanson, Morgan Morse, and David M. Lutken--naturally let develop, trusting the actors (and, in Lutken's case, himself) to convey it in fraught silences. But "The Porch on Windy Hill" is no joyless drama; it also includes lots of glorious, soul-stirring sound, which buffers the characters' pain through a heady musical mélange that links everyone on the stage, even when they seem worlds apart. A classical violinist, Mira's talent originated from the long-ago example of her grandfather's expert banjo and guitar pickin', while her beautiful singing voice, similar to Edgar's, is much more candid than her speaking one. No mellifluous slouch himself, Beckett joins Mira and Edgar in a series of stringed reveries that run the gamut from Haydn to bluegrass and, as music often does, take up the emotional slack when regular words don't come easily. [more]

Einstein’s Dreams

November 22, 2019

Alan Lightman’s 1992 internationally best-selling novel "Einstein’s Dreams" would seem like an unlikely choice for stage adaptation as the original book is made up of 30 variations on theories of time but includes no plot. However, as adapted by Joanne Sydney Lessner (book and lyrics) and Joshua Rosenblum (music and lyrics) it is a charming period musical that makes Einstein’s theories (at least the ten dramatized) quite accessible to audiences not made up of physicists. Its lovely score and excellent production directed by Prospect Theater Company’s Cara Reichel led by Zal Owen and Alexandra Silber are both entertaining and mind-expanding. Its deficiencies are ones that were also true of the novel. [more]