News Ticker

Gustav Mahler

Zemlinskys Zimmer/Zemlinsky’s Room

June 10, 2025

Conducted expertly by Tiffany Chang in a new chamber orchestration by Roland Freisitzer, this three-character opera is inspired by the lush romantic sound of Richard Wagner and Richard Strauss. As the libretto is based on a German prose translation of the Wilde play by Max Meyerfeld, there are no arias per se but the leading character Simone, a Florentine fabric merchant, has many long passages. Artistic director Philip Shneidman who staged the evening has chosen to set it in turn-of-the-last-century Vienna, home to Zemlinsky, rather than Florence in the 16th century as Oscar Wilde’s play is set. This takes a bit of getting used to considering the plot and the subject matter. However, Kylee Loera’s projection design of historical photographs of Vienna city streets and then an art nouveau wallpapered room sets the proper mood for pre-W.W. I Vienna. [more]

Alvin Ailey American Dance Theater: Winter 2024 Season

December 15, 2024

The second premiere was a battle of the sexes duet, “Me, Myself and You,” choreographed by Elizabeth Roxas-Dobrish to a Duke Ellington song, “In a Sentimental Mood” sung lustrously by Brandie Sutton. Caroline T. Dartey, in a long, silvery robe (costumes by Danté Baylor) rose from the floor and wandered beautifully towards a standing screen on the other side of the stage.  Once unfolded, the screen was revealed to be a three-part mirror which seemed to fascinate Dartey as she almost made love to her own image. [more]

Fall for Dance 2023: Program 5

October 11, 2023

The immediate impression of "Gira" was of the semi-circle of lights designed by Gabriel Pederneiras and Paulo Pederneiras (the Grupo Corpo artistic director) and their somber illumination of the twenty dancers—an impressively large cast—that heightened the ceremonial tone of the very repetitious choreography. The music by Metá Metá varied from ominous rumbles to full-out thumping Latin rhythms. The dancers filled the stage with stomps, twisting torsos, wildly abandoned runs and quickly morphing groupings.  They formed circles around soloists and spread across the stage in their recurring movement patterns, quite effective dramatically in a sweaty, sensual way. The audience was bowled over by "Gira" as they were, for different reasons, by the other works on this very varied program. [more]