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Broadway

The Country House

October 14, 2014

"The Country House" is an old-fashioned drawing room comedy about theater and film people inspired by the plays of Anton Chekhov. From Donald Margulies whose track record includes "Time Stands Still," "Brooklyn Boy," "Sight Unseen," "Dinner with Friends" and "Collected Stories," we have come to expect something more emotionally satisfying. Blythe Danner, Daniel Sunjata, David Rasche and cast are good company but do not make a very convincing case for this new play [more]

Indian Ink

October 13, 2014

the relationship between Eleanor Swan and Anish Das is flirtatious from the outset. As the 75-year-old Mrs. Swan, Harris is a joy, making even her unfinished sentences perfectly obvious as well as her very English prejudices. Bhavesh Patel plays the younger Das with matinee idol suavity. As Captain David Durance, the British army officer who falls in love with Flora at first sight, Lee Aaron Rosen is suitably stiff, stalwart and handsome. [more]

Love Letters

September 29, 2014

Under Gregory Mosher's subtle and assured direction, the two performers always seem age appropriate to their characters. While they do nothing to disguise their real ages, it is as though two older people have gotten together to review the letters that they have written to each other over a lifetime. [more]

Casa Valentina

May 12, 2014

Harvey Fierstein's Casa Valentina is absorbing theater both as a revealing look into a world unknown to most theatergoers as well as a suspenseful new story. If the play has a flaw, it is that its message is a little bit obscure [more]

The Realistic Joneses

April 10, 2014

The Realistic Joneses introduces a new American playwright to Broadway, one with a unique voice all his own. Whether main stem audiences will understand Will Eno's cadences is another question. Toni Collette, Michael C. Hall, Tracy Letts and Marisa Tomei give the play a fine patina of urbanity. This, however, is not a play for all theatergoers. With its slightly mocking title (as these are anything but realistic Joneses), it is for those who want to be challenged and who want something new. [more]

Lady Day at Emerson’s Bar & Grill

April 10, 2014

Beg. Borrow. Steal. In a breathtaking leap, famed Audra McDonald has vaulted past anything she's ever done to this pinnacle of performance art, her portrait of Billie Holiday, the mesmerizing, tragic figure who haunts us still with the beauty and wreckage of her life, and if you don't go to see her, you'll be poorer for it. Because this is not only Billie Holiday, this is Audra McDonald at her consummate best. [more]

Of Mice and Men

April 9, 2014

As the African American hand banished to the stable, Ron Cephas Jones alternates movingly between bitterness with his lot and his desperate loneliness. Jim Parrack brings a great sense of fairness and moral integrity to the role of Slim, the only member of this tight, little community to whom they all instinctively look up to. Receiving third billing, Leighton Meester (star of television's Gossip Girl) as Curley's wife, the only woman in the play in this man's world, is caught in the trap of playing either Madonna or whore, typical of 1930's Hollywood movies. [more]

A Raisin in the Sun

April 1, 2014

The play tells the story of the hard-working black Younger family living in a shabby two-room apartment on Chicago's South Side, sometime between World War II and 1960. The patriarch, Walter Lee, Sr. has died recently and the family is awaiting a $10,000 insurance check (about $88,000 today) which is due to arrive in a day or two. Each of them looks forward to using the money for a different purpose [more]

Mothers and Sons

March 22, 2014

Tyne Daly has made it a specialty playing unsympathetic and difficult women, for example her star turns as Mama Rose in Gypsy and Maria Callas in Terrence McNally’s Master Class. Now in a new McNally play, Mothers and Sons, she plays the bitter, angry, taciturn Katherine Gerard, the Andre’s mother of McNally’s earlier one act. [more]

The Cripple of Inishmaan

March 12, 2014

If you add up all the billions of intakes of dollars for all the motion pictures starring the galaxy of movie stars putting their bare, nekkid faces before Broadway audiences this season, the sum tops by far the starstruck lists of recent years. And of all these powerhouses, the face on the cover of the Cort Theatre Playbill says it all: Daniel Radcliffe. Here he is, back in New York once again to, please, once again convey to everyone who's willing for the conveyance that he is not Harry Potter. Or maybe, not just Harry Potter. And so he has gone about as far as he can go: he is, in this very play, Cripple Billy, the Cripple of Inishmaan. And he's wonderful. [more]
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