All opinions in Darryl’s blog are his own and may conflict with an official review published on Theaterscene.net.
A native New Yorker, Darryl Reilly graduated from NYU with a BFA in Cinema Studies. For the Broadway League, (formerly The League of American Theatres and Producers) he developed, and for five years conducted their Broadway Open House Tours, which took visitors through The Theatre District and into several Broadway theaters. He contributed to Broadway Musicals Show by Show: Sixth Edition (Applause Books). Since 2013, he has reviewed theater, cabaret, and concerts for Theaterscene.net.
Rich Little, belatedly making his New York stage debut in the role of Richard Nixon is the show’s magnetic anchor. Playwright George Bugatti crafts a wild scenario, meshing Allen Drury’s sense of political intrigue with Jules Feiffer’s absurdism. [more]
He died 20 years ago today at the age of 76. Why am I moved to note this anniversary? For the same reason I was compelled to see "Tribute" onstage. Viewing 1973’s "Save the Tiger" as a child in a second-run Bronx movie made me a Jack Lemmon admirer for life. [more]
During Mr. Reilly’s breezy segment his life, career and views on theater were discussed. The Bronx-born Reilly has been a critic for seven years, is a member of the Drama Desk and has a BFA from New York University’s Tisch School of the Arts. [more]
Grodin created his meta gag in 1973, which was that he was playing a snide and combative version of himself. He was so good at it that some audience members gasped at his rudeness and home viewers wrote in to complain at how nasty he was to Johnny Carson, who was in on the joke. [more]
Highlights of Ed Dixon’s sharp writing and grand acting inlcude joyous recreations of George Rose in My Fair Lady and The Pirates of Penzance, a sad mini portrait of Ray Walston and being transported to the NYC acting world when a Hell’s Kitchen apartment could be rented for $70 a month. [more]
Of course, there’s Wilde’s brilliance with his ingenious epigrams, the barbed skewering of the British class system and the precise plot. Most importantly, this glorious document preserves Brian Bedford magnificence. [more]
Cameron Cueva Clarke and Logan Alexis Troyer , each offer riveting performances energetically rendering the poignant complexities of their dysfunctional characters. Director Tyler Riley’s charged staging in concert with Mr. Clarke’s creative conceptual direction achieves a Brechtian dimension of distance. [more]