News Ticker

Features

ANDREW LLOYD WEBBER’S SMASH HIT “SCHOOL OF ROCK – THE MUSICAL” CELEBRATES ITS 3RD ANNIVERSARY ON BROADWAY WITH FAN APPRECIATION DAY PARTY AT THE WINTER GARDEN THEATRE SUNDAY, DECEMBER 2, 2018

November 21, 2018

A limited number of lucky fans will be invited to have pizza and cake with the cast of School of Rock from 5:30-6:15 PM inside the Winter Garden Theatre before attending that evening’s 7:00 PM show. To be eligible to attend this pre-show dinner party at the theater, fans should purchase tickets to the 7:00 PM show using the code SRFAN1202 for a special ticket price of $65 (includes $2.00 ff) for excellent orch/front mezz seats (regularly $99-$109). Tickets can be purchased using this code online at www.telechargeoffers.com or by calling Telecharge Offers by phone at 212 947 8844 or 800 872 8997. [more]

STEPHEN SCHWARTZ CONCERT FEATURED STARS, SHOW TUNES, and “GODSPELL” TRIBUTE

November 20, 2018

Andy Stein, Founder and Executive Chairman, stated: “There are not enough words to say how thankful we are to the legendary Stephen Schwartz for his incredible support of the children of the Orphaned Starfish Foundation, to Michael Lavine, Paul Kreppel and Carol De Giere who made this a reality, and to all the wonderful Broadway stars who donated their performances that made tonight so very special. This night exceeded our expectations in all ways and raised much needed funding,for the programs of the Orphaned Starfish Foundation. This night exceeded our expectations in all ways and raised much needed funding,for the programs of the Orphaned Starfish Foundation. [more]

Celebrate “Broadway’s Best” with THIRTEEN’s Great Performances Fridays, November 2-23 on PBS

November 15, 2018

Great Performances is produced by THIRTEEN Productions LLC for WNET, one of America’s most prolific and respected public media providers. Throughout its more than 40-year history on public television, Great Performances has provided viewers across the country with an unparalleled showcase of the best in all genres of the performing arts, serving as America’s most prestigious and enduring broadcaster of cultural programming. Bill O’Donnell is series producer and David Horn is executive producer.  [more]

New York City Electroacoustic Music Festival 2018: Inspirations and Purposes

August 31, 2018

The Festival’s sole lecture-presentation proved useful in revealing how one composer viewed the intersections of science and art in his own composing: trumpeter Skye van Duuren, now a trumpeter and PhD candidate in Composition in the College-Conservatory at the University of Cincinnati spoke on “Bridging Worlds: Creating Fixed Media Microtonal Music with Acoustic Instruments” and then presented the third movement of his Manifestations. Emphasizing the development of his “microtonal language … with traditional chromatic scale as a baseline … and gradations of 5 cents in octaves that each have 240 ‘notes,’ van Duuren discussed the use of Melodyne software to increase the microtones of acoustic instruments. [more]

New York City Electroacoustic Music Festival 2018: Excellence

August 31, 2018

In the very first concert, one of the finest – and also longest – pieces of the Festival was Marie-Helene Bernard’s BOA Sr (1.5, i.e. Concert 1, piece 5). In 2010, Bernard read the obituary of an old woman living in the Andaman Archipelago in the Bay of Bengal; she was the last person alive to speak the Bo language, and at the end of her life, with no one left to talk to, she spoke to the birds. This fixed media requiem piece uses fragments of an anthropologist’s recordings of the old woman’s voice with electronic musical sounds. From its beginning, this work evokes the past by preserving the voices of its ghosts; humanness is stretched out into something cosmically airy. It is a mysterious and gorgeous work, a modern anthropological moment turned into a myth of simultaneous loss and eternity. [more]

New York City Electroacoustic Music Festival 2018: Overview

August 31, 2018

This year, the Festival site was the Abrons Arts Center; the three performance venues in the facility – the Experimental Theater, the  Playhouse and the Underground Theater – were all used. In the spacious Center, performers, composers and audience socialized and exchanged ideas and personal news throughout the week. Though the Festival composers came from many countries all over the world, the “community” of electroacoustic music is quite small; performers often know each other and each others’colleagues and friends, knowledgeable audiences and strong supporters … an exceptionally eclectic and vibrant group, all interested in music that both affirms and expands the core questions about music that composers, performers and listeners have been exploring for centuries. [more]

American Players Theatre: Midwest Summer Theater Destination

August 3, 2018

Having added the 200-seat indoor Touchstone Theatre in 2009 to the outdoor Hill Theater with a capacity of 1,089, the season which began on June 14 now runs until November 18. It currently serves 110,000 patrons annually, one of the largest audiences for classical outdoor theater in the United States. Another perk of visiting the neighborhood is to tour Taliesin East, Frank Lloyd Wright’s fascinating private home as well as his school for architects, both of which are only one mile away from the theater. [more]

Stratford Theatre Festival: Summer 2018

July 8, 2018

"Husband" is also receiving a sublime production this summer at the Stratford Theatre Festival in Ontario, Canada, featuring a bubbly Brad Hodder as the “good-for-nothing” Lord Goring, who “leads such an idle life” and often serves as Wilde’s spokesman. There is also a haughty Bahareh Yaraghi as the shrewd Mrs. Laura Cheveley (who knows “such pleasant scandals about all her friends,” while creating some of her own), a no-nonsense Joseph Ziegler as the Earl of Caversham, Tim Campbell as Sir Robert Chiltern and Sophia Walker as his wife, Lady Gertrude. Though she has the lesser role of Lady Markby, Marion Adler also shines whenever she’s on stage. [more]

Book review: “Sense of Occasion” by Harold Prince

November 16, 2017

The first 26 chapters are the original text of "Contradictions" with each followed by “”Reflections,” where Prince variously corrects, expands upon and ruminates about that portion.  After concluding with the tribulations of the 1974 revival of "Candide," the next 19 chapters are new additions that detail all that came after.  There’s also a comprehensive appendix of facts about all of his shows and an index. [more]

Cool! The 60th Anniversary and Reunion Event: West Side Story

October 7, 2017

Each was asked about their first audition. Marilyn D’Honau couldn’t remember, although she clearly made an impression on Robbins who subsequently used her in "Gypsy." Tony Mordente, just an acting hopeful, was working in a Times Square Howard Johnson’s when he heard that WSS was being assembled and he showed up with no professional experience and managed to impress the powers-that-be. Some flew in from the Coast or Las Vegas or were known by Robbins before hand, like Ronnie Lee who was in "Peter Pan." All were reminded by Robbins before the opening night that they were “handpicked.” [more]

Stephen Sondheim’s A LITTLE NIGHT MUSIC

October 6, 2017

The St. Bart’s Players, NYC’s award-winning, longest running community theater group, proudly presents A Little Night Music as the final show of its 90th Anniversary Season [more]

The Stratford and Shaw Festivals 2017

September 15, 2017

Apart from two years ago, when personal developments required me to cancel my scheduled trip at the last minute, the present summer marked my 18th consecutive year at the Shaw Festival at Niagara-on-the-Lake and my 12th at the Stratford Festival--both in Canada. (Stratford is about a 90-minute drive from the Toronto airport, and Niagara-on-the-Lake is an hour or so from Buffalo.) What any theatergoer who’s never been to either Festival doesn’t know is that each is the best-kept theatergoing secret in North America. That’s because they are true repertory theaters, and there’s nothing to compare with seeing the same actor in one play in the afternoon and then in a very different production in the evening. And for the most part, every actor in each company is doing just that: there are matinees and evening performances every day of the week, except for Monday, when both Festivals are dark. (Each Festival also has four different theaters.) [more]

A.R. Gurney’s Memorial at The Music Box

September 13, 2017

Sigourney Weaver, who acted in Gurney’s plays Mrs. Farnsworth and Crazy Mary, periodically appeared onstage with her husband Jim Simpson. Mr. Simpson was the former Artistic Director of The Flea Theater which presented 15 of Gurney’s works. Throughout the celebration the couple reminisced about the writer and recited biographical details about him, while illustrative slides depicting his life were projected. At the conclusion of this portion, in white lettering on a black background, were projected the titles of Gurney’s 48 plays. It was a stark testament to his achievements. [more]

2017 New York City Electroacoustic Music Festival: Political Protest and Social Justice

August 10, 2017

Interestingly, some of the most raucously explicit material of protest came not from the Peace and Social Justice Concert 24 but from the Wil(helms/liams)burg Concert 26, a collaboration of musicians and performing artists from Brooklyn and Hamburg, Germany. In the opening work, "Trumpen," for clarinet, piano, cello and laptop performers, Georg Hajdu created a piece based on the destructive and fracturing words of Donald J. Trump. This piece introduced the Unheard-of//Ensemble – Ford Fourqurean/clarinet, Daniel Anastasio/piano and Thea Mesirow/cello – who played throughout the concert, demonstrating remarkable technical control and versatility; this group “is a contemporary chamber ensemble dedicated to the development and performance of new music by living composers.” In "Trumpen," Trump’s words are altered and devolved into an ever-increasing intensity of chaos; the audience is witness to the mess – and is part of it as well – as this replicates political protest at its best, at once ancient and contemporary. [more]

2017 New York City Electroacoustic Music Festival: Composer as Creator

August 10, 2017

n light-hearted Rationalize (concert 27), composer Cody Brookshire combined found and manipulated sounds created by the audience with live music on bass clarinet and marimba. Brookshire created SynkroTakt, an audio streaming technology. Before the piece began, the composer instructed the audience on the seven-step procedure required to enable their devices to create sounds streamed into synchronous audio tracks; the audience, in this way, became the collective ‘artist/musician’ and provided one half of the ‘duet’ of electronic sounds and live instruments. The result was an unexpectedly sweet and pretty piece, a bauble in which sounds produced by an unusually concocted combination of chance and intention became a contemporaneous agent of creativity. [more]

2017 New York City Electroacoustic Music Festival: Outstanding Performers

August 9, 2017

In spite of the Festival’s lengthy booklet and daily concert updates, the rich creative vitality of the electroacoustic musical community remains only tangentially documented: composers and performers clearly work in close collaboration. Internationally recognized cellist Madeleine Shapiro, for instance, director of the important NewMusicMannes ensemble at the New School’s Mannes College of Music, is on the NYCEMF 2017 Steering Committee, and performed in several of the 2017 Festival’s concerts. She is clearly the sort of artist who can turn her instrument into both the composers’ muse and their servant. Shaprio’s ability to incorporate the cello’s entire history into its creative use in contemporary classical and experimental music suggests expanded incorporations of cello sounds in new music to contemporary composers. [more]

Book Review: “The Actor Uncovered: A Life in Acting” by Michael Howard

March 10, 2017

Mr. Howard is eminently qualified to hold forth on the subject, having been a prominent New York City acting teacher for over 60 years. Concurrently with an active theatrical career, he studied with Sanford Meisner at The Neighborhood Playhouse, and with Lee Strasberg as a member of the Actor’s Studio. In 1953, he founded The Michael Howard Studios. [more]

“Misty Copeland” by Gregg Delman

October 6, 2016

"Misty Copeland" is not just the celebration of Misty Copeland the feisty, young classical ballet dancer, but of Misty Copeland the young, nubile, well-proportioned young woman. She looks great wearing next to nothing, her exposed skin gleaming under Mr. Delman’s expertly subtle lighting. She is able to achieve all sorts of hyper-stretched positions on all sorts of furniture, her expressions ranging from distracted to come hither. [more]

Las Vegas Supports Performing Arts

August 24, 2016

Vegas still maintains its status as a hotspot for Broadway musicals, theatrical plays, and live entertainment. Although Performing Arts doesn’t appeal as largely to today’s youth in relation to other forms of entertainment, the city hopes to draw in more young performers to the arts by creating public and supporting personal programs [more]

2016 Tony Awards Bestow Much Love on “Hamilton”

June 13, 2016

Although "Hamilton" had been nominated for 16 awards in 13 categories, it failed to break the record of Mel Brooks’ "The Producers" which remains the all-time winner with a total of 12. Hamilton took all of the top musical awards including Best Musical and Best Direction of a Musical (Thomas Kail, previously nominated for Lin-Manuel Miranda’s In the Heights) except for Best Performance by an Actress in a Leading Role in a Musical which went to British actress Cynthia Erivo. (Making her Broadway debut, Erivo was reprising her role as Celie Harris in "The Color Purple" from the 2013 Menier Chocolate Factory production re-envisioned by John Doyle.) Star Miranda won his second and third Tonys with his awards for Best Original Score (Music and/or Lyrics) Written for the Theater and Best Book of a Musical. He previously won for Best Score with his 2008 Broadway musical, In the Heights. [more]

The Critics Say…57 Theater Reviewers in New York and Beyond Discuss Their Craft and Its Future

May 26, 2016

The book is an in-depth exploration of the lives, mentalities, and views of notable writers about theater criticism in the present. It’s really only for those readers fascinated by an insiders take on the subject. Finding out what makes New York Times critics Ben Brantley and Charles Isherwood or many of the others tick can be less then riveting. It also serves as a vivid document of the changing terrain of media coverage of the arts by preserving the thoughts of these “dinosaurs,” as several of them refer to themselves. [more]

Webcam

April 24, 2016

The simple staging also gave emphasis to this unique push and pull relationship between these two young men and the overall tone of the play. The story as well as Jake’s continuous pretentious commentary made me identify that there was a specific reason behind Jake’s intentions to be seen as this cool and confident man, while Noah is made out by Jake to be this hopeless, “more than likely” to be positive “fag”, when in reality Jake is actually the one who is hopeless and insecure. [more]

Midtown Int’l Theatre Festival Spring: March 7 – 27, 2016

February 7, 2016

Powerful and unique themes pervade this series of works including spirituality and "the other side;" sexuality and relationships and its burgeoning diversity; the power of - and within - women; the casualty of war - and the casual way we look at it; fine art; the church; crippling illness from the point of the crippled; redemption; and myriad more are explored in under two hours! [more]

The Hope of Christmas (Holiday CD)

November 4, 2015

On Union Street” with music by Wesley Whatley is the lively and wistful opening track of the delightful jazz based recording, The Hope of Christmas. It is performed by the acclaimed vocalist Ann Hampton Callaway and is one of the twelve songs on it she magnificently sings. Lyricist William Schermerhorn has crafted eleven wonderful original songs for this work that range from sentimental to inspirational to the warmly comic that perfectly capture the spirit of the holiday. His fine words are matched by the gorgeous melodies of accomplished composers. [more]

The Tour NYC

June 19, 2015

"The Tour" follows in the success of the same company’s "The Ride" that is an audience participation theatrical version of a New York City bus tour. CEO/COO Richard Humphrey has conceived, produced, directed and co-written it. His grand achievement is that of an immersive overview of New York City through a fast-paced city tour with novel elements. Touted as the tallest allowed vehicle by federal law, the motor coach used for this is awesome. With a capacity of 49 people arranged in rows of stadium seating facing out the length of the bus along on its side. The panoramic views are from huge clear windows as well as from the windowed ceiling. It is extremely comfortable on all levels and it was cool seeing a rainstorm from inside. [more]

The Victory Dance Project: First Anniversary Celebration

June 8, 2015

To celebrate The Victory Dance Project’s first anniversary, an inspiring and spirited program was presented at The Ailey Citigroup Theater. There was a selection of the company’s dazzling dances and their First Annual Artist for Peace award was presented to Renee Robinson. The personable and entertaining comedian Grant Cooper hosted the event. Mr. Cooper did a funny routine about an imaginary audition for The Alvin Ailey Company with clunky movements. Though humorous, as befitting the occasion he was often serious. [more]

Handel and Haydn Society Bicentennial in Boston: A Distinguished Past Inspires a Bold Future

April 14, 2015

The Handel and Haydn Society – sometimes called the H + H Society, for contemporaneity's sake – is celebrating its Bicentennial with a number of special short-term and long-term events and programs. One of these, most recently, was the sponsorship of a Music Critics Association of North America Institute, a two-day long immersion for eleven MCANA members in the current life of the H + H Society. The informative, intelligent and extremely well-organized Institute was conceived primarily by Marie-Helene Bernard, H + H's Executive Director since 2007, and administered with graceful, quietly effective attention to detail by Matthew Erikson, H + H's Public Relations and Communications Manager. The MCANA Institute provided opportunities for learning and robust exchanges of insights and ideas; it was an affirmation of the H + H Society's place in the contemporary world of classical music. Though the purposes of the MCANA Institute were primarily musical, it also provided access to information about the Society's positive, effective engagement in the cultural life of Boston as a whole. [more]

The 30th Annual Bistro Awards

March 9, 2015

Beaming Broadway musical comedy veteran, Lee Roy Reams presented the final honor, the ASCAP Major Engagement Award to Lillias White. “My grandmother’s table was my cabaret,” she recalled about the beginning of her long and successful career. In a full-out performance, she then recreated her Tony Award-winning role as an aging prostitute, from the 1997 Broadway musical The Life, with her signature song, “The Oldest Profession.” It was a commanding and fitting finale to this exuberant event. [more]
1 2