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Robin Wagner

Chess

November 23, 2025

Strong’s book belies his name, its overlong (two hours, 40 minute) narrative, with all its scheming realpolitik, being more formulaic than authentic. Its points about the individual vs. the state, personal ambition vs. national loyalty, truth vs. propaganda, the pressures of celebrity, and so on, are clear, but Chess is too addicted to larger-than-life histrionics to make us more than cerebrally grateful or deeply invested in the choices the characters must face. [more]

Seesaw

February 18, 2020

Although J2 Spotlight’s artistic director Robert W. Schneider who staged this show has given it a vigorous production and cast a delightful Gittel in Stephanie Israelson, he is unable to disguise the show’s flaws. He is not helped by the trite, derivative choreography by Caitlin Belcik for a show that is mainly dance and has eight dancers out of a cast of nine. The many production numbers are both busy and familiar, and keep the ensemble composed of Kyle Caress, Chaz Alexander Coffin, Katie Griffith, Caleb Grochalski, Morgan Hecker and Halle Mastroberardino spinning throughout the show. [more]

Trip of Love

October 26, 2015

Though it touches on complex societal issues during this turbulent time period in the United States, the show's overall lack of depth depicting these conditions relegates it to slick opulence. Such a lack of overall substance does often play well in Las Vegas or on the sea but in a midtown Manhattan theater it's a striking flaw considering the numerous other theatrical options. [more]