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Mike McGowan

All Is Calm: The Christmas Truce of 1914

December 23, 2018

But these speeches are only a part of the soundscape. The production is suffused with music—all of it a cappella vocalizing by the cast. We hear barracks songs, patriotic songs, hymns and drinking songs—and, of course, Christmas carols. Erick Lichte and Timothy C. Takach’s arrangements are exceptionally rich and intricate. The singer-actors weave a choral spell that is not soon forgotten. One could try to single out certain cast members or singers as exceptional, but this is truly the quintessential ensemble show. That such fine singers could also take on multiple speaking roles—portraying Britons, Irishmen, Scots, Welshmen, Germans, and others so convincingly—is impressive indeed. [more]

Joan of Arc: Into the Fire

April 1, 2017

Don’t blame singer Jo Lampert who gives a passionate performance as the Maid of Orleans. Unfortunately, she hasn’t been given anything very interesting to sing in this mostly sung-through musical. Her lyrics are trite and repetitious. She may have been a teenager, but there is no reason to have written lyrics that continue to sound like they were written by a junior high school student attempting his or her first songs. The endlessly repeated refrains do not serve to make Joan seem more simple and holy but sound like a lack of imagination. The minimal spoken dialogue is used for the various narrators and the trial testimony taken from the actual transcript of the event. [more]