News Ticker

Federica Borlenghi

At the Barricades

June 19, 2025

In great theater, history is not merely recounted but resurrected with breath and pulse, defiance and hope. In 'At the Barricades," the indomitable company What Will The Neighbors Say? breathes new life into one of the 20th century’s most harrowing yet heroic chapters — the Spanish Civil War of 1937. We find ourselves in Madrid not as tourists, but as comrades in struggle, embedded within a city and a country fraying at the seams, on the verge of succumbing to the iron fist of fascism. And yet, in the shadow of tyranny, a radiant flicker of international solidarity takes flame. [more]

Building My Casa

January 30, 2025

Playwright/actor Braulio Basilio may appear prophetic when we sit in horror today watching the news as a returning president maps out how he plans to deprive immigrants of any and all freedoms in this new administration. Created and conceived by actors Basilio, Ursula Tinoco, Gilberto Gabriel, and their fellow Teatro 220 colleague Andrés López-Alicea, "Building My Casa" is a timely piece of theater that desperately needs a wider audience. In "Building My Casa," they do not give us any surprises nor are we ever expecting any; they give us a tale of three endearing individuals who each in their own way are strangers in a strange land. [more]

Until Dark

February 20, 2024

The balance is off between the two storylines. If the most crucial dramatic element of the story is the legal issue surrounding consent, the dynamics of the sisters’ current and historical relationship do not satisfactorily clarify that issue. If the story’s primary focus is the nature of the relationship between the sisters, the legal issue overshadows the intricacies and nuances of their relationship. The two main storylines of the play contain strong dramatic elements that would stand well by themselves—the final two scenes attempt to bring closure to the dramatic arcs but miss the mark. They seem to operate as endings to the two stories. While the show is a solid attempt at dramatizing the issue of consent when it comes to sexual relationships, it doesn’t quite squarely hit the mark. [more]