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ZviDance: MAIM (“Water” in Hebrew)

A somber meditation on water, drought, community and survival by a talented Israeli-born choreographer. 

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A member of ZviDance in a scene from “MAIM (Water in Hebrew)” at New York Live Arts (Photo credit: Heidi Gutman)

[avatar user=”Joel Benjamin” size=”96″ align=”left” ] Joel Benjamin, Critic[/avatar]

Israeli-born choreographer Zvi Gotheiner created MAIM (Water in Hebrew), a somber meditation on water, drought, misery, community and survival for seven members of ZviDance, all brilliant dancers with clearly defined personalities.

Somehow, in under an hour, Gotheiner managed to dredge up memories and images of his early life on a kibbutz and how valuable water was in the life of his community.  That, added to the current climate crisis’ causing drastic drought concerns, stimulated him to produce MAIM (Water in Hebrew).

The back wall of the intimate New York Live Arts theater was turned into a screen upon which Josh Higgason’s projections were shown: arid lands, everyday representations of water running into sinks and beautiful, but eerie, undersea flora and fauna floating and billowing.

Dressed in Gabrielle Grywalski’s simple, pale, sleeveless outfits, the dancers entered, immediately performing the main movement motifs of Maim:  a soft, flat-footed run; quick, nervous kicks; palms held out (as if to feel for rain); unison activity (helping to create a sense of community); and partnered bits that focused on the inner turmoil of individuals.

The dancers kept sweeping across the stage, often pausing to form circles and lines as the dreary, scorched landscapes appeared behind them.  Their bodies communicated the tension under which this community lived.  Furtive glances and tight shoulders revealed sadness and dread.

Slowly, hope intruded.  Duets changed from unrequited love to couples united against a common enemy.

As more definably contemporary projections appeared the dancers seemed to calm down, their movements smoother, poses held longer.  Finally, in a moving finale, they formed a line in the front of the stage, aligned with a strip of light that beautifully illuminated the glasses of precious water each dancer held.  (The beautiful, truly illuminating lighting was by Mark London.)

Members of ZviDance in a scene from “MAIM (‘Water’ in Hebrew)” at New York Live Arts (Photo credit: Heidi Gutman)

These glasses of water, aligned on the strip of golden light became both optimistic icons and warnings of their possible disappearance forever.

Scott Killian’s flexible score included marches, string-heavy curtains of sound, solo guitar playing by Evan Dibbs and Alex Mercuri and dark, menacing chords.

The dancing was superb, Gotheiner bringing together disparate body types and forging them into a true company.

Although it is probably unfair to praise one dancer over the others, Michael Wang impressed me for one lovely moment in which he gently held a stretched out pose while the others flailed quietly on the other side of the stage.

The other dancers deserve mentioning:  Alison Clancy, Zachary Gonder, Nathaniel Hunt, Doron Perk, Jessica Smith and Eila Valls.

MASIM (Water in Hebrew) displayed Zvi Gotheiner and his ZviDance at the top of their form.

MAIM (Water in Hebrew) (December 18-21, 2019)


New York Live Arts, 219 West 19th Street, in Manhattan

For tickets, call 212-691-6500 or visit

Running time:  45 minutes without an intermission

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About Joel Benjamin (561 Articles)
JOEL BENJAMIN was a child performer on Broadway and danced with leading modern dance and ballet companies. Joel has been attending theater, ballet and opera performances ever since childhood, becoming quite opinionated over the years. He was the founder and artistic director of the American Chamber Ballet and subsequently was massage therapist to the stars before becoming a reviewer and memoirist. He is a member of the Outer Critics Circle.

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