Christopher Caswell hails from Austin, Texas, but has called New York City his home for over three decades. Seasoned cabaret soloist, longest running member of the award-winning pops group "Uptown Express" and contributor to ManhattanDigest.com, he shares his view from the audience for TheaterScene.net.
http://www.ChristopherCaswell.com
As directed by Benson, special mention goes to Primack, Quint, Payne, and Wexler for their strong and playful commitment to their characters, followed by the efforts of Mazzoccone, Porter and Belch. All the actors can be credited with bringing moments of levity and ingenuity to their parts. Favorite line in the whole play--an aside from Fabian, delivered expertly by Ungar--“If this were played upon a stage now, I could condemn it as an improbable fiction.” Ship sailed! [more]
"Bonnie’s Last Flight" peppers its character moments with humorous sketches and air travel anecdotes. Some don’t hit their mark, but most do. There’s an especially amusing and thoughtful moment where the audience is handed landing cards on which they’re invited to “lighten their emotional luggage upon arrival.” All “passengers” are asked to “write down whatever’s been weighing you down: a fear, a hurt, a grudge, anything you’re ready to let go of—anything to lessen the emotional kilos you carry around. When we do our trash collection shortly we will also take the emotional waste you wish to dispose of. Namaste.” I’m quite certain every person in the audience felt better after their card was taken out with the trash, present company included. [more]
These two mild points aside, Jaffee’s script is nevertheless hugely successful in conveying this man-vs-nature clash; his use of clever dialogue and idiosyncratic characters keep the topic in the forefront with much humor and without any preachy heavy-handedness. [more]
Manning’s direction and script are both expertly crafted. The play’s moral questions are cleverly woven into each of its fully-dimensioned characters’ words, and their tales are often presented without bias, leaving the audience to draw its own conclusions. The actors find their full potential in this play, each one as compelling as the next, filling their portrayals with humor, earnestness and passion; they listen to each other in every moment and are a joy to watch. [more]
This setting and premise alone might suggest quite a dull evening of theater, except for the fact that from the moment these actresses converge on the stage, the subtle energies of their characters begin to intertwine and negotiate for space and position, piquing the interest of the audience. [more]
This nonsensical, broad comedy is penned by the clever Greg Kotis ("Urinetown"). Songs and arrangements by Steven Gross are whimsical and entertaining, and costume designer Whitney Locher presents her vaudevillian best in this frothy piece. Led expertly by director Ilana Becker, the cast bludgeons, connives and wiggles their way through this slice of holiday slapstick; young and old, the actors’ comic timing is well-honed and the fun they have performing this piece is entirely infectious. [more]
Playing the developmentally challenged title character Bernie, Stephanie Gould captures the innocence and charm of this young woman, sometimes with broad strokes, but always with sincerity and commitment. A speech impediment called for in the script ultimately comes across as ‘baby talk;’ this affectation is sometimes distracting and annoying, but fortunately never for very long. By contrast, the character of Jeff Goldblum, a young man who Bernie has met in some of her development classes and pursues her relentlessly as a suitor, is revealed to be less-abled by his dialog alone; it’s by what he says, and not how he says it, that the audience understands he is mentally challenged as well. Goldblum is played with humor and disarming quirkiness by Benjamin Rosloff. [more]
