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Emilio Madrid

Circle Jerk

June 22, 2022

In 'Circle Jerk," this cocky duo confidently preen, bray and cavort while donning various wigs and flamboyant costumes as multiple fey stock characters for over two numbing hours of their self-congratulatory twaddle. Their grating characterizations are achieved by intently staring into the camera, making faces, raising eyebrows and doing voices. It’s not "Your Show of Shows," but a niche audience of friends, relatives and trustafarians who could be amused by their antics. Cat Rodríguez appears in several female roles with campy flair. [more]

A Case for the Existence of God

May 10, 2022

Though there’s two well-delineated characters and a compelling plot, "A Case for the Existence of God" plays out like a 90-minute cerebral exercise, reaching an unsatisfying pseudo-fantastical conclusion. This is explained by Hunter’s stage directions which explicitly have the actors sitting for a good deal of the time. He has several dictates as to how his dialogue should be delivered, one example is “Dialogue written in italics is emphatic, deliberate; dialogue in ALL CAPS is impulsive, explosive. Dialogue in [brackets] is implied, not spoken.” [more]

This Beautiful Future

January 17, 2022

First presented in London in 2017, this shimmering U.S. premiere affirms its acclaim. The Australian-born Ms. Kalnejais’ writing is highly crafted, imaginative and affective. Kalnejais was inspired by a 2016 museum exhibition containing W.W. II-era film footage to create this entrancing historical tale during a sense of worldwide political chaos. “I wanted to write something hopeful and delicious and gorgeous and put something gorgeous out into the world,” she has said in an interview. [more]

Chicken & Biscuits

October 18, 2021

Douglas Lyons’ new comedy, "Chicken & Biscuits" introduces us to the dysfunctional Jenkins/Mabry clan at the funeral of its patriarch Bernard, the former pastor of his New Haven church. Among the various glitches are the arrival of an uninvited family member and the appearance of the gay boyfriend of the son. Sound familiar? The new wrinkle in this Broadway play is that the family is Black.  While the formula may be time-worn and familiar, Lyons’ play directed by Zhailon Levingston (also making his Broadway debut as the youngest Black director in Broadway history) is fast-paced and generally bright and appealing. Veteran stars Norm Lewis and Michael Urie lead a fine cast that includes the Broadway debuts of five performers who may be familiar from television, film or Off Broadway. [more]