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Peter Bradbury

Kyoto

November 26, 2025

Unlike J.T. Rogers’ Tony Award-winning "Oslo" which handled similar material about the secret Oslo Peace Accord conference, "Kyoto" by Joe Murphy and Joe Robertson makes little concession to its audience giving almost too much information and depicting too many characters, while being patently undramatic much of the time. However, the topic is so explosive that it carries its audience through its 11 conferences. (One hardly notices Natalie Pryce’s costumes so closely does one have to listen to follow the flow of the arguments.) One does come away with the knowledge these sorts of conferences are almost futile with each nation having its own agenda and limits to how far it will go even at the expense of other nations. It is almost remarkable that the Kyoto conference reached any consensus at all. The question now is how much of that was actually enforced by the signatories to the protocol. [more]

The Violin

September 20, 2017

In fact, Harry Feiner’s marvelous, you-are-there set design for "The Violin" made me think of 'American Buffalo" (set in a shabby pawn shop) before the first words of the play were even uttered or its three cast-members (Robert LuPone, Peter Bradbury and Kevin Isola) even appeared on the stage. But whether or not playwright McCormick had that early Mamet work in mind, the main idea behind "The Violin" was probably inspired by a real event, when celebrated cellist Yo-Yo Ma left his prized cello in the trunk of a New York taxi some years ago, and paid a handsome reward for its return. [more]