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National Theatre

The Other Place

February 16, 2026

Going along with leaving much unsaid, Zeldin in his direction has kept things rather slow and leisurely so that the play’s 80 minutes seems much longer. Also much of the backstory is missing: what does Chris do for a living as we are told he is very rich? As his friend Terry is described as his contractor, does that make him a builder or has Terry only been hired to do the renovation on the house? The house incidentally has been made unrecognizable with walls removed to let in the light - though the view outside is still in darkness until the trees are torn down, including the tree from which Adam hanged himself. How has Annie been living since leaving the hospital? She has refused to take Chris’ money so that is not an explanation. And is his offer of money an expiation for some unnamed guilt? [more]

The Lehman Trilogy

October 22, 2021

Wearing costume designer Katrina Lindsay’s artful business attire is the distinguished British trio of Simon Russell Beale, Adam Godley and Adrian Lester. They initially portray the three Lehman brothers, then in an exhilarating display of superior acting, they play a gallery of other major and incidental characters with Dickensian flair. Whatever the figure’s gender, age or varied social status, each actor offers many full-blooded characterizations emitting force and pathos through their expertly altered voices and grand physicality. Time passes, people die, and we feel sad having gotten to know them through these performers’ indelible depictions. For the Broadway incarnation, Mr. Lester replaces the unavailable Ben Miles who performed in the previous productions. [more]

Network

December 21, 2018

Director Ivo Van Hove’s stage version of the Paddy Chayefsky cult film "Network" gives Bryan Cranston the role of a lifetime as Howard Beale, the UBS news commentator who has a nervous breakdown on air and then becomes a media messiah. The high tech production designed by long-time van Hove associate Jan Versweyveld with video design by Tal Yarden is riveting throughout its two hour intermission-less running time by putting the audience in the news studio and making us complicit in the action. [more]