Garside’s Career
While Dickson’s production is elegant and pitch-perfect for its 1914 era, the characterizations are partly satiric and off base. While Daniel Marconi is fine as the designing, unprincipled and power-hungry Peter, he seems to be playing him as a comic character with a wink in his eye though there is no evidence in the play that Brighouse intended this. Madeline Seidman’s Margaret is rather bland, failing to show us what Peter first saw in her. As his mother, Amelia White is almost as ambitious and designing a social climber as her son. The most problematic characterizations are those of the aristocrats who are all played too broadly, rather than true to the period. As Lady Mottram, Melissa Maxwell is almost a gorgon out of Oscar Wilde rather than simply a high class snobbish member of the gentry. Sara Haider’s Gladys fails to give off the kind of signals that would tell Peter she is interested in him, while Avery Whitted as her brother Freddie is practically one of the those silly-ass men of leisure out of P.G. Wodehouse. [more]
