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Legally Blonde

Bat Boy: The Musical

November 6, 2025

Beneath the camp and chaos, 'Bat Boy" remains what it always was: a parable with a pulse. O’Keefe’s rock-opera score jabs with wit but bleeds sincerity; his lyrics cut deep with irony and compassion. The story still howls against hypocrisy—the intolerance of difference, the fear of the Other, the absurd theatre of morality that masquerades as virtue. "Bat Boy" feels less like a musical and more like a communal exorcism of repression, guilt, and joy. In the capable, chaotic hands of this remarkable company, it doesn’t just sing—it soars, claws, and howls. To want to belong has rarely felt this thrilling. What emerges, through all the shrieks and laughter, is something profoundly moving: a hymn to belonging, a love letter to strangeness, a primal scream for empathy. [more]

Mama, I’m a Big Girl Now!

December 4, 2024

The trio demonstrates that their voices are as supple and fine as they ever were. Each gets to play their best suit: Winokur’s loud, clarion voice, Bundy’s wry wit and Butler’s recounting her hilarious but painfully missed opportunities even though she has appeared in 12 Broadway shows and been nominated for the Tony Award. Their patter and narration is entertaining and hilarious and the musical numbers are both tributes to their careers as well as songs we have not heard them sing before. [more]

BROADWAY’S 2006 Fall/Winter Season

January 27, 2007

The White Way barely had time to recover from last season’s exciting Tony race when Martin Short roused the sleeping giant with his manic ode to himself, Fame Becomes Me. [more]