Ai Yah Goy Vey! – Adventures of a Dim Sun in Search of His Wanton Father
Chang is an agile performer, and his quick shifts among characters recall the early solo work of urban shapeshifters who built entire neighborhoods out of voice and posture. Yet here the gallery of types is unevenly realized. Too often, figures arrive as the sketch of a stereotype rather than the surprise of a person. When Chang draws on the stylization of Chinese opera—particularly in the rendering of Jackie’s diva-like mother—the show briefly discovers a richer theatrical language, one in which Eastern and Western performance traditions spar and flirt on equal terms. Such moments hint at a more adventurous piece than the one that predominates. [more]
